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The Great Replacement Chronicles: Besieged by Modern Art

Dean Hoffmeyer /Richmond Times-Dispatch via AP

Archiving the “strange death of Europe,” as Douglas Murray put it, and the West more broadly, at the hands of the neoliberal technocracy.

Another unsightly Diversity™ statue pops up in major Western city, this time in London

In what has become a well-established tradition of defiling high-profile Western landmarks with such obscenities, the gigantic likeness of an ethnic birthing person — with absurdly proportioned hips like you would expect to see in a National Geographic-style documentary — has surfaced from the pit of hell to blight London’s famous Trafalgar Square.

Related12-Foot Statue of Obese Black Woman Appears in Times Square

The rollout also featured, as these things often do, the so-called artist, Tschabalala Self, regurgitating a bunch of garden-variety, vaguely progressive gibberish about what her abomination is meant to represent.

Via BBC (emphasis added):

A sculpture inspired by a desire to bring a contemporary "everywoman" to Trafalgar Square has been unveiled on London's Fourth Plinth.

Lady In Blue by New York artist Tschabalala Self, which pays homage to a young, metropolitan woman, is the 16th artwork to feature on the plinth since 1998.

The bronze and blue figure replaces Mil Veces un Instante (A Thousand Times in an Instant) by Teresa Margolles.

The statue has been patinated with a pigment refined from Lapis Lazuli, a semi-precious stone that has been used by artists for millennia.

Self said she had set out to put an ordinary contemporary Londoner* on a site more usually associated with statues of monarchs and military commanders.

"My work Lady In Blue will bring to Trafalgar Square a woman that many can relate to," the artist said.

"She is not an idol to venerate or a historic figurehead to commemorate.

"She is a woman walking forward into our collective future with ambition and purpose. She is a Londoner, who represents the city's spirit."…

She said: "Lady In Blue transforms the everyday into the monumental.

"Tschabalala Self takes the familiar figure of a woman moving through the city and gives her an extraordinary presence at the heart of London."

Justine Simons, the deputy mayor for culture and the creative industries, described the work as a striking addition to a historic part of the city.

*These people always trot out the pseudo-populist “everywoman” trope whenever they foist one of these NGO-funded monstrosities on the public.

The purpose of this exercise is to demoralize the nation and deracinate it from its roots by replacing the veneration of its national heroes with monuments to random migrants.

Related: Barbados PM Demands $4.9 TRILLION for Slavery Reparations, British Crown Seemingly Agrees

Not everyone, unfortunately, is as enamored of the brave and stunning work of art as they ought rightly to be if they don’t want to be arrested for thought crime and tossed into the gulag.

Rupert Lowe, for one, the boss of the alternative to the cucked Reform Party, Restore Britain, floated the idea of basing his party’s entire mayoral campaign on “tearing this filth down”:

Related: The Sun Never Sets on the British Empire

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