Mark Steyn on how political correctness run amok leads to criminalizing comedy:
I read The Joke, Milan Kundera’s first novel, when I was a schoolboy. Bit above my level, but, even as a teenager, I liked the premise. Ludvik is a young man in post-war, newly Communist Czechoslovakia. He’s a smart, witty guy, a loyal Party member with a great future ahead of him. His girlfriend, though, is a bit serious. So when she writes to him from her two-week Party training course enthusing about the early-morning calisthenics and the “healthy atmosphere,” he scribbles off a droll postcard:
Optimism is the opium of the people! A healthy atmosphere stinks of stupidity! Long live Trotsky! Ludvik.
A few weeks later, he’s called before a committee of the District Party Secretariat. He tries to explain he was making a joke. Immediately they remove him from his position at the Students Union; then they expel him from the Party, and the university; and shortly thereafter he’s sent to work in the mines. As a waggish adolescent, I liked the absurdity of the situation in which Ludvik finds himself. Later, I came to appreciate that Kundera had skewered the touchiness of totalitarianism, and the consequential loss of any sense of proportion. It was the book I read on the flight to Vancouver, when Maclean’s magazine and I were hauled before the British Columbia “Human Rights” Tribunal for the crime of “flagrant Islamophobia.” In the course of a week-long trial, the best part of a day was devoted to examining, with the aid of “expert witnesses,” the “tone” of my jokes.
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Who would have thought all the old absurdist gags of Eastern Europe circa 1948 would transplant themselves to the heart of the West so effortlessly? Indeed, a latter-day Kundera would surely reject as far too obvious a scenario in which lesbians and feminists lean on eunuch males to destroy a man for disrespecting the vascularized vagina by suggesting that semen might have restorative properties. “Give it to me straight, doc. I can take it”? Not anymore. Kundera’s Joke is now on us.
George Orwell certainly had no problem transposing the digits of the year 1948 to see how the socialism of the then-current Soviet Union and its incumbent show trials could eventually spread westward in about half a century. I never thought of Orwell as going in much for gut-busting humor, but I doubt he’d be surprised by the current state of comedy as thoughtcrime.
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