Love them or hate them, the Star Wars prequels prove by comparison why the original trilogy boasts such universal appeal. We love Luke, Han, Leia, and their ragtag band of rebels because they act from a profound moral conviction. They pursue liberty at any cost, and defy tyranny with admirable resolve. The prequel heroes, by contrast, spend a lot of time wringing their hands.
Over the course of the saga, Skywalker and son operate as essentially the same character presented in different contexts. Despite enjoying the collective instruction of the entire Jedi Order, Anakin falls to the Dark Side. Conversely, his son Luke adheres to the Light despite coming of age in dark times.
Upon due consideration, the prequels reveal that the Jedi Order was the true phantom menace. They took an innocent child with earnest moral impulses and turned him into a deeply conflicted, morally confused time bomb ill-equipped to deal with reality. Surely, the Sith were evil. However, despite an alleged moral dichotomy, so were the Jedi. Our recognition of their error makes it difficult to regard them as heroes and thus care about their plight. In the end, the teachings of the Jedi led directly to Anakin’s fall and the galaxy’s plunge into darkness. Perhaps that’s a large part of the reason we don’t care for their story that much.
The Jedi of the Old Republic operate from a disturbing moral ambivalence, fully personified in Grand Master Yoda and reflected to lesser degrees in the rest of the Council and their knights. At the close of Attack of the Clones, after reluctantly deploying the titular army to counter a clear and present separatist threat, Yoda rebukes Obi-Wan for regarding the outcome as victory.
Victory? Victory, you say? Master Obi-Wan, not victory. The shroud of the Dark Side has fallen. Begun the Clone War has.
Therein lies one of the distinguishing characteristics of the prequel trilogy, an aversion to war among its heroes. From Queen Amidala’s initial refusal to “condone an action that will lead us to war,” to Yoda’s above noted refusal to acknowledge a moral mandate to destroy aggressors, the prequel protagonists spend most of their time trying to weasel out of conflict – and thus exasperate it.