Check out Walter’s previous articles in this ongoing series Thursday mornings exploring video games, cultural villains, and American values at PJ Lifestyle. From May 2: “Beating Back the Nazi “Sickness,” and last week: “What Zombies Teach Us About Human Nature.” And also see Walter’s A Reason For Faith series, reprinted last week here. In these four articles Walter begins to formalize his task of synthesizing the Judeo-Christian tradition with Ayn Rand’s Objectivism and Tea Party activism. - DMS
In one of the most vivid dreams I can recall, I witnessed the landing of a plainly alien spaceship. It came lucidly, dancing on the edge of wakefulness, informed by enough of my rousing consciousness that it felt particularly real. I remember the feeling that my feet were glued to the ground, that I couldn’t move if I wanted to, not on account of some external force, but due to an overwhelming sense of awe and anticipation. The one thought dominating my mind: everything is about to change.
Though it was only a dream, I retain the memory as vividly as though it were of an actual experience and believe I will respond similarly if ever confronted by a true interplanetary delegation. Something about that kind of moment, when the veil lifts upon an existential mystery, produces an irresistible thrill. Perhaps that tops the list of reasons why our popular culture remains ever fascinated by the prospect of extraterrestrial life.
Aliens have become such a prolific device in our entertainment that we sometimes take them for granted. Like a modern deus ex machina, aliens can be relied upon to suspend disbelief in an otherwise inconceivable scenario. (How does Superman fly? Simple, he’s an alien!) Extraterrestrials rank alongside Nazis, zombies, and generic terrorists as the most common villains found in video games. Unlike those others, however, aliens may also be allies. Nothing inherent to extraterrestrial life demands it be villainous. Beings from other worlds often act as mirrors for examining the human condition, when not merely lurking among shadow and neon strobe.
It’s probably no coincidence that the advent of ufology, which is an actual word in the dictionary meaning the study of unidentified flying objects, coincides with the initial proliferation of aviation and the early years of the space age. We began to look up into the sky right about the time we realized there was nothing left to find over the horizon. In times past, when the known world was still defined by the flickering edge of torchlight, we imagined unspeakable monsters much closer to home. Spirits, ghosts, goblins, ghouls, fairies, vampires — all were the alien invaders and abductors of their time. As we have come to dismiss them as infeasible and childish, our imagination turns to the stars, where the realm of possibility remains seemingly infinite.
Certainly, we can see how aliens have stepped in to fill the role of menacing ghoul. Ridley Scott’s original Alien was essentially a horror film, a science-fiction creature feature. While the execution was masterful, the formula proved well-established and has been revisited ever since.