Merry Christmas!

Mark Steyn in the London Spectator on that most American of songs, Irving Berlin’s “White Christmas:”

In the end, ‘White Christmas’ isn’t a song about snow. They had white Christmases in Temun, Siberia, where Berlin was born, but a white Russian Christmas wouldn’t be the same: It’s not about the weather, it’s about home. In 1942, those GIs out in the Pacific understood that. Twelve years later, building a new movie named for the song, Berlin acknowledged the men who made it special, in the best staging in the picture: Bing singing in the rubble, accompanied only by Danny Kaye’s musical box, as the boys rest their chins on their rifle butts and think of home. Berlin couldn’t have predicted Pearl Harbor, but there’s no surprise that, once it had happened, his were the sentiments the country turned to.

Christmas was not kind to Irving Berlin. At 5 o’clock on the morning of Christmas Day 1928, his 31/2-week-old son, Irving Junior, was found dead in his bassinet. ‘I’m sure,’ his daughter Mary Ellin told me a few years back, ‘it was what we would now call “crib death”.’

Does that cast ‘White Christmas’ in a different light? The plangent melancholy the GIs heard in the tune, the unsettling chromatic phrase, the eerie harmonic darkening under the words ‘where children listen’; it’s not too fanciful to suggest the singer’s dreaming of children no longer around to listen. When the girls grew up and left home, Irving Berlin, symbol of the American Christmas, gave up celebrating it. ‘We both hated Christmas,’ Mrs Berlin said later. ‘We only did it for you children.’

To take a baby on Christmas morning mocks the very meaning of the day. And to take Irving Berlin’s seems an even crueller jest — to reward his uncanny ability to articulate the sentiments of his countrymen by depriving him of the possibility of sharing them.

Berlin was a professional Tin Pan Alleyman, but his story, his Christmas is there in the music. 23 years after his death, he embodies all the possibilities of America: his family arrived at Ellis Island as poor and foreign and disadvantaged as you can be, and yet he wove himself into the very fabric of the nation. His life and his art are part of the definition of America. Whatever his doubts about God, Berlin kept faith with his adopted land — and that faith is what millions heard 70 years ago in ‘White Christmas’.

Pour yourself an eggnog and read the whole thing.

And some various and sundry Christmas-related items we’ve linked to over the years. First up, Chris Muir’s Day by Day: