What She Said!

The dutch are considering banning the burqa. Tammy Bruce says “Yay!”, adding:

It is hostile, and should be considered the equivalent of having blacks walk around in leg-irons. And don’t tell me it’s okay because “the women want it that way.” Yes, and we don’t take seriously the insistence of battered women that they deserve it. Sure, some really believe they do, but that doesn’t mean civilized society looks away and allows the brain-washed to dictate social policy.

Apartheid and Female Genital Mutilation were (are) also argued as “cultural” or “a religious practice.” So what. Those are specious arguments used for years by oppressive tyrants looking for an excuse to justify their barbaric behavior.

Let’s hope the Netherlands leads the way on this, allowing the European Union to actually do more than spout slogans about human rights and equality.

I realize the burqa and hajib are slightly different concepts, but it’s worth noting what Amir Taheri wrote about the latter a couple of years ago. No doubt, many view it as being shrouded (so to speak) in antiquity. In reality, Taheri writes that it was only in the early 1970s that Mussa Sadr, an Iranian mullah who had won the leadership of the Lebanese Shiite community invented the concept of mandatory headgear. A decade later, Abol-Hassan Bani-Sadr, the first president of the Islamic Republic, announced that “scientific research had shown that women’s hair emitted rays that drove men insane” (No, really!, as Dave Barry would say):

The headgear in question has nothing to do with Islam as a religion. It is not sanctioned anywhere in the Koran, the fundamental text of Islam, or the hadith (traditions) attributed to the Prophet.

This headgear was invented in the early 1970s by Mussa Sadr, an Iranian mullah who had won the leadership of the Lebanese Shiite community.

In an interview in 1975 in Beirut, Sadr told this writer that the hijab he had invented was inspired by the headgear of Lebanese Catholic nuns, itself inspired by that of Christian women in classical Western paintings. (A casual visit to the National Gallery in London, the Metropolitan Museum in New York, or the Louvres in Paris, would reveal the original of the neo-Islamist hijab in numerous paintings depicting Virgin Mary and other female figures from the Old and New Testament.)

Sadr’s idea was that, by wearing the headgear, Shiite women would be clearly marked out, and thus spared sexual harassment, and rape, by Yasser Arafat’s Palestinian gunmen who at the time controlled southern Lebanon.

Sadr’s neo-hijab made its first appearance in Iran in 1977 as a symbol of Islamist-Marxist opposition to the Shah’s regime. When the mullahs seized power in Tehran in 1979, the number of women wearing the hijab exploded into tens of thousands.

In 1981, Abol-Hassan Bani-Sadr, the first president of the Islamic Republic, announced that “scientific research had shown that women’s hair emitted rays that drove men insane” (sic). To protect the public, the new Islamist regime passed a law in 1982 making the hijab mandatory for females aged above six, regardless of religious faith. Violating the hijab code was made punishable by 100 lashes of the cane and six months imprisonment.

By the mid-1980s a form of hijab never seen in Islam before the 1970s had become standard gear for millions of women all over the world, including Europe and America.

Some younger Muslims women, especially Western converts, were duped into believing that the neo-hijab was an essential part of the faith. (Katherine Bullock, a Canadian, so loved the idea of covering her hair that she converted to Islam while studying the hijab.)

The garb is designed to promote gender Apartheid. It covers the woman’s ears so that she does not hear things properly. Styled like a hood, it prevents the woman from having full vision of her surroundings. It also underlines the concept of woman as object, all wrapped up and marked out.

Muslim women, like women in all societies, had covered their head with a variety of gears over the centuries. These had such names as lachak, chador, rusari, rubandeh, chaqchur, maqne’a, and picheh among others.

All had tribal, ethnic and generally folkloric origins and were never associated with religion. (In Senegal, Muslim women wear a colourful headgear against the sun, while working in the fields, but go topless.)

Muslim women could easily check the fraudulent nature of the neo-Islamist hijab by leafing through their family albums. They will not find the picture of a single female ancestor of theirs who wore the cursed headgear now marketed as an absolute “must” of Islam.

This fake Islamic hijab is nothing but a political prop, a weapon of visual terrorism. It is the symbol of a totalitarian ideology inspired more by Nazism and Communism than by Islam. It is as symbolic of Islam as the Mao uniform was of Chinese civilisation. It is used as a means of exerting pressure on Muslim women who do not wear it because they do not share the sick ideology behind it. It is a sign of support for extremists who wish to impose their creed, first on Muslims, and then on the entire world through psychological pressure, violence, terror, and, ultimately, war. The tragedy is that many of those who wear it are not aware of its implications. They do so because they have been brainwashed into believing that a woman cannot be a “good Muslim” without covering her head with the Sadr-designed hijab.