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The Great Replacement Chronicles: ‘I Heard You Want Your Country Back’

AP Photo/Stephanie Scarbrough

Archiving the “strange death of Europe,” as Douglas Murray put it, at the hands of the Brussels bureaucracy and its hordes of imported “migrants.”

Every day, for anyone paying attention, the news is rife with fresh new evidence that the West, most especially Western Europe, is firmly on a collision course with self-destruction, while the so-called political leadership in Brussels looks on with indifference or else open cheerleading of the Great Replacement.

So I decided to start curating said evidence to shed some light, in the hopes for disinfection and that somehow the tide can be reversed.

‘I Heard You Want Your Country Back’

Hip-hop fusion artist duo (loosely defined) Bob Vylan appeared at Britain’s largest music festival to taunt the British audience, who bobbed their heads in submissive rhythm to the music, with their hit single “I Heard You Want Your Country Back,” the chorus of which goes thusly:

I heard you want your country back
 Shut the f*** up
 I heard you want your country back
 Uh-uh, you can't have that

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The breakdown continues with the ethos:

The only place I know
 Stolen right under my nose
 By ignorant scum
 Tryna lay claim to a land that ain't theirs anyway
 Wait - what did you say?

These guys operate out of London, which always has, at least until now, belonged to the British, so it’s unclear what “stolen right under my nose” refers to geographically.

Not that race-grifting ever required logic.

PSA: Irish girls in Ireland not allowed to wear braids

“I should have known but I had to learn” is the creepy totalitarian takeaway here in the context of a white supremacist Irish schoolgirl being educated by her non-Irish classmate about what kind of hair she’s allowed to wear in public.

Ireland’s oldest city gets culturally enriched with ethnic dance

The ultimate irony is that this “traditional” tribal dance probably has little, if anything, do with actual traditional African culture, in the same way that Kwanzaa was invented in the 60s by a violent felon, but anyone who wants to stay in the good graces of polite liberal society is forced to pretend it’s some kind of deeply meaningful cultural celebration of diversity or whatever.

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Although it’s unclear what entity foisted this display of dominance on the Irish people, you may recall that USAID funded a similar performance called Ireland 100, in which “Irish-Zambian rapper, singer, poet, grime and hip hop artist based in Limerick” Denise Chaila (born in Zambia) “deconstructed” the allegedly racist Irish identity to an audience of white Irish liberals watching in awe.

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