A Long Time Ago, in an LGBTQ+ Galaxy Far, Far Away...

Promotional image courtesy of Disney.

I have a bad feeling about this.

There's a new Star Wars series coming to Disney+ that I'd briefly considered maybe-possibly giving a chance when it starts streaming in June. For starters, "The Acolyte" features Carrie-Anne Moss, who I'd happily watch read the warning labels of various prescription medications I'll (hopefully) never have to take. But most intriguing was setting the show a century before the events of the first prequel, "The Phantom Menace."

Advertisement

Star Was has picked up an awful lot of baggage โ€” some of it Woke, most of it just lazy โ€” since Disney bought Lucasfilm ten years ago. Setting the show a hundred years before anything we've seen before would let "The Acolyte" clear the decks and start fresh.

Yeah, that's not what showrunner Leslye Headland did.

Today I learned that in order to best "enjoy" the show, there's homework you have to do.

To really understand what's going on in "The Acolyte," you should first watch all seven seasons of "The Clone Wars," four seasons of "Rebels," and three seasons of "The Bad Batch." You should probably go back and watch that Ewoks cartoon from the '80s, just to be safe.

Or you can use this guy's crib sheets. Take notes because there will be a quiz before the first episode. 

This is the same mistake Disney has made with the Marvel Cinematic Universe these last four years. Various TV shows and movies are all so intertwined that it's impossible to simply sit down in a darkened theater and enjoy the new movie. You need all the context that comes from a $13.99 a month ad-free subscription to Disney+.

Advertisement

It's worse than a cash-grab; it's a turn-off for the casual fans who make up most of the moviegoing audience. 

From there, things get worse because they get Woke.

Headland never learned one of the most powerful tools in science fiction: allegory. Star Trek used 23rd-century allegories to comment on current events in the 1960s. One of the best examples was "Let That Be Your Last Battlefield," which was a thinly veiled critique of racism. The inhabitants of planet Ariannus are all half-black (shoe polish black) and half-white (chalk white). The dominant race was black on the right side and white on the left. The oppressed were the other way around. One critique of the episode is that it was a little too on point and would have been better had the visual point been more subtle.

Flash forward to "The Acolyte," which has a black female human character explain that the show is "not about good or bad, this is about power and whoโ€™s allowed to use it." In this new and improved Star Wars, the most popular weapon isn't a blaster or a lightsaber. It's a sledgehammer, wielded against the audience. 

If that weren't enough to turn me off, here's Headland making the now-inevitable publicity appearance to explain the importance of 21st-century Earth LGBTQ+ issues โ€” and implied incest?!? โ€” to the Star Wars galaxy.

Advertisement

Activist first, storyteller second.

I'll pass.

Recommended: Have Gazans Learned Nothing?

P.S. Help PJ Media save the galaxy from the Dark Lord of the Woke by becoming one of our VIP or VIP Gold supporters. You need independent news and analysis, and we need to keep the lights on. You can join here, and don't forget our massive 50% off SAVEAMERICA promo code.

Recommended

Trending on PJ Media Videos

Join the conversation as a VIP Member

Advertisement
Advertisement