I don’t usually link to off-topic stuff like this. But David Harsanyi did such a great job demolishing Andrew Keen’s dumb new book in Reason Magazine that I’m doing more than just posting an excerpt. I ordered Harsanyi’s book Nanny State: How Food Fascists, Teetotaling Do-Gooders, Priggish Moralists, and other Boneheaded Bureaucrats are Turning America into a Nation of Children.
Andrew Keen’s website claims, without a hint of humility, that he’s “the leading contemporary critic of the Internet.” No kidding? The entire Internet? A curious reader might wonder whether such an all-inclusive battle is similar to taking on, say, “music” or “radio waves.” It is.
More specifically, Keen’s depressing book, The Cult of the Amateur: How Today’s Internet Is Killing Our Culture, laments techno-utopianism, free content, and the rise of citizen journalists, filmmakers, musicians, and critics as cultural arbiters. It is a book, in other words, of spectacular elitism.
Keen, a Silicon Valley entrepreneur turned full-time critic of user-generated Internet content, argues that our most “valued cultural institutions” are under attack from the hordes of lay hacks, undermining quality content with garbage. His central argument is—to pinch a word he loves to use—seductive. He’s right that the Internet is littered with inane, vulgar, dimwitted, unedited, and unreadable content, much of it fueling outrageous conspiracy theories, odious partisan debates, mindless celebrity worship, and worse. And then there’s the stuff that’s not even entertaining.
Keen refuses to confess that there’s even a smattering of intellectually and culturally worthy user-driven content online. If you do find something decent in the “digital forest of mediocrity,” he attributes it to the infinite monkey theorem: Even simians, if permitted to indiscriminately hit a keyboard for an infinite amount of time, will one day bang out Beowulf or Don Quixote. (Silly me, I was under the impression that monkeys had hatched the idea for VH1’s Scott Baio Is 45…and Single.) Apparently, these monkeys are discharging so much free content into the cyber-strata that they threaten to bury culturally significant work, dilute good craftsmanship, and cost me, a journalist and “cultural gatekeeper,” my job. So I guess I’d better take Keen’s thesis seriously.