04-18-2018 10:16:00 AM -0700
04-16-2018 01:32:51 PM -0700
04-16-2018 09:59:36 AM -0700
04-12-2018 09:53:41 AM -0700
04-10-2018 11:19:03 AM -0700
It looks like you've previously blocked notifications. If you'd like to receive them, please update your browser permissions.
Desktop Notifications are  | 
Get instant alerts on your desktop.
Turn on desktop notifications?
Remind me later.


No Man, No Cry

In reading this Atlantic article on The Good Wife's big twist, this jumped out at me:

And television characters, especially women, often make decisions that keep them in the orbit of their love interests, even when it doesn’t make sense to what we know about them. For example, would a savvy political fixer like Olivia Pope on Scandal really risk her career to keep working on her lover Fitz’s presidential campaign? In the Veronica Mars movie, would Veronica—who spent three seasons of her show plotting how to escape her corrupt hometown of Neptune—really give up a stable life in New York City to return home and rekindle a romance with Logan? While “Olitz” and “LoVe” fans get to enjoy seeing their favorite couples together, it comes at the cost of diminishing Olivia and Veronica as believable characters.

I understand the bigger point that, in the context of these characters' established desires and priorities, it's jarring for them to change course for romance. Except that I've seen, first hand, the way that love can inspire people (male and female!) to dramatically revise their life plans. In that sense, the ability to adapt to a new emotional landscape (or simply shift priorities over time) is a realistic trait for a character.

While I agree with the article's premise that TV needs more female characters whose lives don't revolve solely around romance, I don't think the answer is to gradually eliminate romance (or romantically-motivated life decisions) from female characters' lives. Every time I see a debate about this, I heave a sigh and think wistfully of Joss Whedon's two greatest creations, Buffy the Vampire Slayer and Firefly. Even their secondary female characters are complex and interesting women, while other shows often reduce secondary female characters to nothing but their romantic story lines (or role as best friend).