Ace of Spades calls out lefty Chris Cillizza of the Washington Post, after the latter man plays the moronic “Is David Letterman a liberal? It’s surprisingly hard to say” game. No it isn’t — you could ask him, as Howard Stern did last year at the conclusion of his half-hour interview with him, which Roger Friedman of ShowBiz 411 accurately calls “Letterman’s Most Revealing Interview.” Click on the above clip to go straight to the relevant bit about Letterman’s politics, or go to Friedman’s post to hear the whole thing. And as Ace writes:
You could compare his extremely hostile interviews with Bill O’Reilly and Rush Limbaugh — in one he snapped, without smiling, that what O’Reilly was saying sounded like pure “bullshit” — with his fawning, Tell Me More interviews with Rachel Maddow and undisclosed (but obvious) liberals like Brian “Chopper Warrior” Williams and Tom Brokaw.
Not to mention the 2006 interview with O’Reilly in which Letterman admitted to essentially be rooting for Al Qaeda in Iraq, the precursor to ISIS:
In now a famous “You Tube” moment, Bill O’Reilly of the Fox News Channel, went on Letterman to be the recipient of the host’s rude and sophomoric antics. As the segment shifted into high gear, O’Reilly asked Letterman a pointed and direct question: “Do you want the United States to win in Iraq?”To the surprise of no one but his sycophants, Letterman could not or would not answer the question. When pressed by O’Reilly to answer, the best he could do was to play to his mostly left-leaning audience for cheap debating points and say, “It’s not easy for me because I’m thoughtful.”
But that segment of Ace’s post is really the least interesting aspect, as everyone who is honest knows Letterman is on the left, and everyone who isn’t is lying about him, as Cillizza attempts to do. What’s really fascinating is this:
One of the types of comedy Letterman has long been far too enamored with is Time-Wasting Anti-Comedy. In the early days of his show, Letterman got a lot of laughs by doing pointless, time-wasting (and sometimes budget-wasting) stunts.
The best of these were things like Throwing Objects Off a Fifth Floor Roof, or throwing himself, in a suit of Velcro, at a Velcro wall to see if he would stick. (He did, in fact. Science!)
The worst of these was Letterman just wasting time, having pointless chats with Schaeffer (Letterman would probably claim the pointlessness *was* the point, or some stupid meta-comedy conceit like that), or, as Norm MacDonald wickedly parodied him, just repeating the same word over and over, believing that if he said “Ehhhh…. Got some gum?” enough times, it would become funny.
Letterman got away with this in his early days because the show’s conceit was that the whole thing was an elaborate prank on the network, that they had no business being on TV, and that they were wasting the network’s time and money by staging this deliberately stupid, pointless show.
It made you think — if you were young, and fan — like you were in on the joke, and that you were right there alongside Dave wasting precious Network Minutes and Dollars for this lame thing.
Here’s what the Oscars did, though, at least for me: Letterman’s time-wasting nonsense — his “Oprah… Uma” introductions (between Winfrey and Thurman) that went on for two minutes and then was repeated later in the show — finally made me see the light:
Letterman wasn’t just wasting The Network’s time with this sort of so-unfunny-it’s-funny (but actually not) non-material.
He was wasting my time, too.
All long I thought I’d been in on the joke.
Suddenly, I realized: No, I was not in on the joke. I was in on one joke, the superficial one about vengeance against the network, but definitely not in on the deeper joke, the real joke.
The real joke is that while Letterman’s show was gleefully slapdash, I was still a prisoner of it five nights a week, and voluntarily so.
The real truth was — and perhaps Letterman intended us to understand this; and perhaps he should be praised for trying to make us understand this — was that if you were watching TV, you were wasting your time.
In the previous post, I quoted longtime Johnny Carson head writer Raymond Siller, who noted that “Johnny was a lot more sarcastic than his on-air persona, but he couldn’t bring himself to ridicule his fans.” But for Letterman, it’s an illustration of how his postmodernism was ultimately a vicious circle: Letterman’s early schtick was that he was doing cheap gags that made fun of the pointless nature of TV; so what does that say about the people who watched it religiously? No wonder Dave seems to have such a tortured relationship with his audience.
Or in recent years, the increasing lack thereof.