The Media Research Center compares the rough treatment that Mel Gibson’s The Passion of the Christ received from the legacy media, versus the smooth sailing of the recent movie version of The Da Vinci Code.
It’s also worth flashing back to 2004, to see how 23 critics viewed both The Passion and Michael Moore’s Fahrenheit 9/11.
Blogging since 2002, affiliated with PJM since 2005, where he is currently a columnist, Dallas Editor, and founder of PJM's Lifestyle blog. Over the past 15 years, Ed has contributed articles to National Review Online, the Weekly Standard.com, Right Wing News, the New Individualist, Blogcritics, Modernism, Videomaker, Servo, Audio/Video Interiors, Electronic House, PC World, Computer Music, Vintage Guitar, and Guitar World. As an Amazon Associate, he earns from qualifying purchases. For media inquiries, please contact [email protected].
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