Ed Driscoll

The Passion Of Da Vinci 9/11

The Media Research Center compares the rough treatment that Mel Gibson’s The Passion of the Christ received from the legacy media, versus the smooth sailing of the recent movie version of The Da Vinci Code.

It’s also worth flashing back to 2004, to see how 23 critics viewed both The Passion and Michael Moore’s Fahrenheit 9/11.