At best, CBS’s new take on Supergirl is a cross between pop feminist trends and complaints. Pretty blonde girl (guaranteed to be noted as such by intersectional feminists covering the race beat) who spends her time being told by her bosses to get coffee (didn’t Marvel’s Peggy Carter already cover this one to death this year?) learns to embrace her true identity (yes, it’s a gay metaphor – literally) only to have the science of her outfit explained to her by a male colleague (cue the whining about the lack of girls in STEM professions).
You know you’ve read too much contemporary feminist criticism when you can pick apart a TV series preview in 30 seconds or less.
Kara, aka Supergirl, comes off about as bland as a Barbie doll in this preview. Worse yet, she’s constantly seeking approval from those around her for the choice she made to “out” her identity. Forget Superman’s quiet stoicism and rejection of fame in the name of the greater good (and retaining some semblance of a private life). Supergirl is louder and prouder and more demanding of acceptance than a gay pride parade. Except about her name, of course.
“We can’t call her that. She has to be Super Woman.” Snore. Didn’t the Spice Girls cover that one over a decade ago? They did, which is why Calista Flockhart (90’s feminist du jour Ally McBeal) was recruited to play the angry boss who reminds Kara how great it is to be a grrrl …in that b*tch sort of way. (Cue feminist whining about female corporate stereotypes …now!)
The bottom line that will make or break the show will be the writing. If they can make 3-D characters out of 2-D comics, they’ll have television gold, as Arrow, Gotham, and The Flash have proven (along with their Marvel competitors). Let’s hope this Supergirl doesn’t fall into the Venus Flytrap of contemporary feminist tropes. Up, up, and as far away as possible from that train wreck, indeed.