Review: Alan Parsons' Art & Science of Sound Recording: The Book
With the exceptions of George Martin, Quincy Jones and Glyn Johns, arguably no other recording producer is as quite a household name as Alan Parsons. (And only Parsons has been namechecked by Austin Powers’ nemesis, Dr. Evil!) Starting at age 18, Parsons began working in EMI’s legendary Abbey Road Studios in 1967 before going on to engineer the Beatles’ classic album of the same name and numerous other projects. His career as a staff engineer at EMI culminated in his engineering Pink Floyd’s epochal 1973 album Dark Side of the Moon, which remained on the Billboard charts for an astonishing 741 weeks, a phenomenal achievement for what had been prior to its release a band that defined the phrase “cult hit.” In terms of its variety and musical craftsmanship, the album was arguably the high point of Pink Floyd, but its success was in no small part due to the crystalline three dimensional sound that Parsons’ engineering brought to the product.
Only in the 1970s could a recording engineer launch a successful career as a rock frontman, but give Parsons credit for perfect timing – he parleyed his industry connections and his key role in Dark Side of the Moon’s smash success into a lengthy record deal with Arista Records, fronting and producing his own Alan Parsons Project band. The Alan Parsons Project itself enjoyed several best-selling albums and arena tours. But Parsons never stopped producing other artists, working in the years since Dark Side with Al Stewart, The Hollies, and other artists.
In 2010 Parsons released his three-DVD box set titled The Art & Science of Sound Recording and narrated by actor-director-musician Billy Bob Thornton. Recently an accompanying book version of that DVD, co-authored by Parsons and Julian Colbeck (also an old hand in the music industry), was issued by veteran music publishing house Hal Leonard.
The How-To Guide for Recording a Complete Rock Band
For anyone interested in recording a rock or pop group, in conditions ranging from their garage or basement to a professional music studio, this is a must-read book, filled with useful tips on how to record all of the primary components of a popular group including the drum kit, bass, electric guitar, keyboard, and vocalists. In both group form playing all together, and then afterwards in the form of solo overdubs to bring a song closer to perfection.
While Parsons is the primary voice in the book, he’s joined by such veteran studio luminaries as drummer Simon Phillips, bassists Carole Kaye and Nathan East, and former Doobie Brothers vocalist Michael McDonald, and fellow producer Jack Douglas, who bring their own recording tips and anecdotes to the book. The book concludes with an excellent chapter on recovering from studio disasters, ranging from tape machines unspooling to a comparable 21st-century terror, hard drive crashes.