“EXCLUSIVE: Ex-NBC employee Frank Scotti claims Bill Cosby paid off women, invited young models to dressing room as he stood guard,” the New York Daily News reports:
Back when Bill Cosby was the king of network television, veteran NBC employee Frank Scotti served as the royal fixer.
When Cosby invited young models into his Brooklyn dressing room, the megastar’s pal stood watch outside the door. When the married Cosby sought a Queens apartment for another pretty face, Scotti arranged the deal.
And when the man behind Fat Albert needed cash disbursed to his flock of single female friends — hey, hey, hey — Scotti became the conduit for payments of up to $2,000 a month.
“He had everybody fooled,” said Scotti in an exclusive interview with the Daily News. “Nobody suspected.”
Scotti came forward last week with his insider’s look at Cosby’s womanizing ways during the magical 1984-92 run of “The Cosby Show.”
The 90-year-old Scotti said he decided to speak as the drumbeat of sexual abuse allegations against Cosby, 77, grew steadily louder. “I felt sorry for the women,” he told The News.
Along with the multiple women coming forward with allegations, is Scotti lying? Presumably the left-leaning Daily News wouldn’t run the story unless the paper and its lawyers believed him. But in any case, NBC certainly has ample prior examples of enabling their performers’ dysfunctional behavior to help keep a hit show humming along.
As Doug Hill and Jeff Weingrad wrote in their 1986 book, Saturday Night: A Backstage History of Saturday Night Live, while the late John Belushi was the most legendary substance abuser of the original cast of SNL, the performer most affected by drug use according to the authors was Garrett Morris. And certainly, his onstage performances in his last season on the show often seemed near-catatonic, as he appeared to lean heavily on his cue cards to remember even the simplest of lines. According to Hill and Weingrad, “Garrett free-based cocaine, meaning he mixed it with ether and heated it to filter out the impurities, then smoked it in its purest, strongest form,” and insiders at NBC, including Morris’ own fixer at the network, were certainly aware of drug use of some sort by Morris:
As much cocaine as John Belushi used, within Saturday Night Garrett’s habits were seen as more dangerous, because Belushi seemed so much stronger than Garrett. “Belushi,” one of the writers said, “was howling against the elements. Garrett sort of just slipped away in his sleep.” In the end, of course, that judgment proved to be incorrect, but at the time most would have expected Garrett to succumb long before John.
What to do about Garrett occupied a good deal of conversation on the 17th floor. That he wasn’t taken off the show or forced to get some sort of treatment struck many as utterly irresponsible. The countervailing opinion was that taking him off the show would have only completed his collapse. No one could convince Garrett he needed help; he always insisted he was fine. But obviously he wasn’t fine, and many blamed Lorne for not dealing with it. “A lot of people felt Lorne ignored the problem,” one of the featured players said. “A lot of people thought, ‘Lorne’s got to do something about this.’ It seemed that week after week Garrett was in bad emotional shape. Nobody knew what to do.”
Garrett’s problems were also ignored by NBC, and not because no one in the network was aware of them. To the contrary, one NBC executive, a vice president, frequently gave Garrett the money to buy his cocaine. Garrett would come to this executive for advances on his salary. He always said he had some different project in the works that he needed it for, but the executive was well aware of what Garrett was doing with the money. The advances were usually $1,000, but once, when the show was ending for the season and Garrett needed enough to tide him over the summer, he was advanced $10,000. The executive says that Garrett thought of him as a sort of friendly banker, and that as a result he and Garrett always got along extremely well. Eventually the advances were stopped.
In more recent years, NBC has long ignored Alec Baldwin’s homophobic slurs and violent encounters with photographers, as long as they could build shows around him. (Unlike the heyday of the original SNL and Cosby Show, ratings be damned, curiously enough). And today, as the New York Times strongly implied last week, NBC looks the other way at Al Sharpton’s multiple tax abuses.
When the MSM, those Democrat operatives with bylines, as Glenn Reynolds memorably dubbed them, ignores corruption in the Obama administration, remember that they have a lengthy history of ignoring and in some cases enabling corruption and malfeasance in-house as well. Anything as long as the show goes on.