Roger L. Simon

Turning Right at Hollywood and Vine

The Perils of Coming Out Conservative in Tinseltown
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By Roger L Simon

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Fledgling film directors are often taught to mutter those words to themselves before yelling “Cut!” in order to get those magic vulnerable moments when the actor has run out of words or instructions. (I have tried this myself and it works, sometimes anyway.)

Why Robert Wise? I don’t know. Perhaps because he was such a superb craftsman. In any case, the man who edited Citizen Kane and directed The Sound of Music is now gone. One of the greats.

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1 Comments, 1 Threads

  1. 1. Patrick Tyson

    Directing the actors and getting the performance I wanted was the biggest challenge because I was used to working with them only on celluloid. Getting the proper coverage was easiest. There is a misconception that having been an editor you would shoot less coverage. It’s not true! You shoot more because you know how useful the footage is.

    —Robert Wise

    In my minority opinion, the two best movies he directed are The Day The Earth Stood Still and The Sand Pebbles.

    His place in film history was secured when RKO assigned him to Welles and Welles was pleased.

    If you could’ve found out what Rosebud meant, I bet that would’ve explained everything.

    No, I don’t think so; no. Mr. Kane was a man who got everything he wanted and then lost it. Maybe Rosebud was something he couldn’t get, or something he lost. Anyway, it wouldn’t have explained anything… I don’t think any word can explain a man’s life. No, I guess Rosebud is just a… piece in a jigsaw puzzle… a missing piece.

    —Herman J. Mankiewicz & Orson Welles, Citizen Kane

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