Jazz and Islam, Part IV
Recently Islamic supremacists in the Egyptian city of Mansoura made a statement: they dressed a statue of Umm Kulthum, the revered Egyptian chanteuse, in a niqab. Proud of their achievement, they sent photos of their handiwork all over the Internet. They should have been hanging their heads in shame.
Their statement was clear enough: they were calling for the imposition of elements of Islamic law mandating that women not go out in public unveiled. That they would choose a statue of “the first lady of Arabic song” to make this statement suggests also that they object to the very idea of an unveiled female singing about secular subjects: they object to her being unveiled; they object to her being female and yet an independent human being in her own right, not just the slave of some man; and they object to her singing about non-religious matters, since the only music allowed in Islamic law is Islamic religious music.
In honor of Umm Kulthum, therefore, it is a good time to remember and celebrate some women we love, women who led lives and sang songs that were decidedly un-Islamic, and who would have left the world poorer had they forsaken the stage and recording studio, donned a veil, and retired to the inner recesses of the house in order to serve their menfolk. These five women never donned a niqab, and for that we should all be eternally grateful.