“Why Cary Grant is Mandatory for the Manosphere,” according to Aaron Clarey, the Blogosphere’s “Captain Capitalism:”
Cary Grant if you are unfamiliar with was arguably the premier actor from the golden years of Hollywood. He played everything from his early years of romantic comedy fill-in to war hero in “Destination Tokyo.” But if there was anything you could glean from Cary Grant at the age of 14 it was his vocabulary and charm.
Charm and vocabulary are things that are hard to teach. They are endeavors that truthfully an individual must pursue and perfect. But if you start enough at an early age, or dedicate yourself at an older age, you can naturally embed these traits into your being, infuse them into yourself, and in the end come out a much more advantaged man than your peers. And this advantage is huge over your other alpha male contemporaries.
Understand that with all the TRUTHFUL and LEGITIMATE observations about confidence, dominance, leadership, etc. of the alpha male, not all of those traits are conveyed via physical posturing. Women do not solely interact with you on a physical basis, matter of fact the majority of their INITIAL interaction with you will be verbal. And therefore if you wish to improve your chances, having this “natural Cary Grantish charm” to bolster your “verbal game” will prove necessary.
How do you achieve this Cary Grantish charm?
1. Watch Cary Grant movies.
2. Plagiarize his lines.
3. Increase your vocabulary.
I’m a fan of old movies, the black-and-whites from the 1930s and 1940s, in part because of what they reveal about how American culture has changed. The adults in these films carry themselves differently. They don’t walk and speak the way we do. It’s often hard to figure out how old the characters are supposed to be—as though they were portraying a phase of the human life-cycle that we don’t have any more.Take the 1934 film Imitation of Life. Here Claudette Colbert portrays a young widow who builds a successful business. (Selling pancakes, actually. Well, it’s more believable if you see the whole movie.) She’s poised and elegant, with the lustrous voice and magnificent cheekbones that made her a star. But how old is she supposed to be? In terms of the story, she can’t be much more than thirty, but she moves like a queen. Today even people much older don’t have that kind of presence—and Colbert was thirty-one when the movie came out.
How about Clark Gable and Jean Harlow, smoldering away in Red Dust? They projected the kind of sexiness that used to be called “knowing,” a quality that suggested experienced confidence. When the film came out Gable was thirty-one and Harlow ten years younger. Or picture the leads of The Philadelphia Story. When it was released in 1940, Katharine Hepburn was thirty-three, Cary Grant thirty-six, and Jimmy Stewart thirty-two. Yet don’t they all look more grownup than actors do nowadays?
In contrast to all of the above, take a look at the poor schlub in the post that preceded Aaron Clarey’s homage to Cary Grant: the “Beta of the Century,” as Aaron notes, for whom 25 is definitely the new 15.