Michael Totten

Don't Miss the Zohan

If you’ve seen “the trailer for Adam Sandler’s new movie”:http://www.apple.com/trailers/sony_pictures/youdontmesswiththezohan/trailer1/ You Don’t Mess with the Zohan, it may be tempting to write it off as yet another low-brow comedy aimed at fifteen-year-old boys and best avoided by everyone else. But wait. After Hollywood’s recent spate of dour axe-grinding films about Iraq, a fun movie featuring an Israeli counter-terrorist as the protagonist is a refreshing change, even if it is no more serious or realistic than a cartoon.
Sandler plays Zohan, an elite Israel Defense Forces commando who feels no pain, can do push ups with no hands, and can catch bullets fired at him in his nostrils. He’s a superhero, basically, and his oddly likable Palestinian nemesis (“the Phantom,” played by John Turturro) is an equally indestructible comic book arch-villain who also feels no pain and can defy gravity. Zohan’s trouble is that he’s tired of chasing bad guys, even though he’s very good at it. He would rather live in the United States and work in a hair salon. So he fakes his own death and smuggles himself to New York to get away from it all and live the American dream. There’d be no movie, though, if it were that easy. Zohan is spotted by a Palestinian taxi driver, and buffoonish Arab terrorist wannabes plot to take down the Zohan at his place of employment.
The film’s lead actor and co-author is a Republican, but of the Rudy Giuliani-supporting “South Park Republican” variety. Andrew Sullivan coined the phrase after South Park creators Matt Stone and Trey Parker outed themselves as irreverent anti-leftists a few years ago. Matt Stone is a registered Republican, and Trey Parker famously said “I hate conservatives, but I really f***ing hate liberals.”
This, then, is no Mel Gibson movie. Gibson’s politics, in fact, are swiped at in this movie. No cultural conservative could possibly have written You Don’t Mess with the Zohan. Sandler’s character becomes the most sought-after hairdresser in New York City because he joyfully includes sexual favors for senior citizens as part of his salon service package. At no point in the film is there even the slightest suggestion that there’s anything wrong with promiscuous sex or brazen prostitution.
There’s a seriousness, though, beneath the surface of what is otherwise a ridiculous and crude cartoon with live actors. Israelis are portrayed as the good guys, which is not exactly what might be expected from Hollywood these days. Jokes are made at their expense, but the humor is not politically charged. Zohan brushes his teeth with hummus, for instance. His dad stirs it in his coffee.
“Read the rest at COMMENTARY Magazine”:http://www.commentarymagazine.com/blogs/index.php/totten/12311.