Why I’ll Never Look at Logan’s Run the Same Way Again
And neither will you.
The other night I fast-forwarded through Logan’s Run on Amazon Prime. I’ve always enjoyed the film’s futuristic production design, not to mention sexy Jenny Agutter in her skimpy costumes, or the lack thereof. The film now has the added bonus of looking charmingly mid-‘70s retro, or “Zeerust,” at the folks at TV Tropes.org call this phenomenon. (They also have a page specifically devoted to Logan’s Run itself.)
But when watching most recently, I noticed a detail in the scene in which Agutter’s character makes her debut, the ramifications of which I had never paid attention to before:
[jwplayer config="pjm_lifestyle" mediaid="63827"]
First the guy whom Logan rejects, and then Agutter's Jessica 6 character beam into Logan’s apartment. Which means that the domed city has a teleportation system, ala Star Trek’s transporter device. And presumably, it’s built into everyone’s apartment inside the film’s domed city. And given what it’s being used for (so that before calling it a night, Logan can unholster his blaster, IYKWIMAITYD), it’s so safe, readily accessible and easy to use, it’s the equivalent of today’s hot chat party lines, which are advertised on late-night TV reruns.
So if all of that is true, why on earth do they need the little domed two-person cars that shoot between the buildings through Plexiglas tubes, sort of like the monorail going through the Disneyworld hotel crossed with a bank’s pneumatic drive-through cylinder?
They. Have. Perfected. Teleportation.