The Anti-Gospel of Bioshock Infinite
Spoiler Warning: Bioshock Infinite cannot be properly analyzed without revealing the details of its plot. If you plan to play it, or haven’t finished it, consider whether you wish to read further.
This may seem an odd way to start an analysis of a video game. But bear with me.
I was not always a Christian. There was a period of my life during which I searched for truth, trying to discern medicine from snake oil. One of the most compelling observations which led to the development of my Christian faith was the unique economy of sin presented in the Bible.
While many people believe that human beings are inherently good, an honest assessment of one’s own thoughts, along with cursory observation of even the youngest child, reveals that human beings are actually quite wicked. Not only are we bad, we like ourselves that way. Indeed, the notion that we are inherently good lowers the moral bar to the status quo, as if this life lived this way with all its horrors and violations were some kind of ideal.
Christianity stands unique among worldviews in not only acknowledging our congenital moral defect, but also in explaining how we contracted it while offering a cure. Other faiths tend to regard sin as some form of moral debit which can be offset by good deeds. Becoming a Christian requires acknowledging that the debt accrued through sin can never be paid by the sinner. Instead, the believer trusts in the atoning death of Christ, pointing to Him as the settler of accounts. Such faith proves difficult, both because we tend to deny our own wickedness and because we prefer to think we can overcome deficiencies on our own.
Surprisingly, this economy of sin proves quite relevant to an analysis of Irrational Games’ hot new shooter set in the skies above 1912 America, Bioshock Infinite. Redemption runs as a prominent theme throughout the experience, presented in various forms which tend to prove false. Protagonist Booker DeWitt, a former Pinkerton man and player avatar, seeks the seemingly simple redemption of a financial debt to a dangerous creditor. Antagonist Zachary Comstock, head prophet of a xenophobic cult, offers his followers redemption from “the Sodom below” within the floating city of Columbia. Daisy Fitzroy, leader of the leftist Vox Populi, offers her followers redemption from the tyranny of Comstock through militant revolution. Player companion and surprisingly able damsel Elizabeth begins as an innocent who comes to realize her own peculiar need for a second chance.
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