A shrill, backstage brawl at “The View” Wednesday left co-host Rosie Perez in tears while panelists Whoopi Goldberg and Rosie O’Donnell battled over how to cover the latest allegations against Bill Cosby and the racially charged upheaval in Ferguson, Mo., sources said.
O’Donnell believed the show — now overseen by ABC News — needed to delve deeper into both controversial subjects, while Goldberg wanted to steer clear of the topics altogether.
Ultimately, both news stories were discussed at length on the air by the panel.
“There’s terrible frustration and there are problems,” a source close to the show told the Daily News. “Whoopi didn’t want to talk about Cosby and Ferguson, Rosie (O’Donnell) did — how could you not? These are topics that are uncomfortable for everyone, but it’s ‘The View’ and it’s their job to talk about topics that might make some people tense.”
If viewers are tense, it may due to the show’s increasingly uncomfortable format, now that Barbara Walters has finally retired.
The formula for a successful TV talk show isn’t that much different than the formula for a successful TV sitcom or drama, and has been the same since the medium took off in the 1950s. (That’s why they call it a formula.) A network talk show casts an appealing straight-shooting everyman and surrounds him with wacky, offbeat sidekicks for leavening. In the 1960s, the boyish Johnny Carson was flanked by big drinking heavyset Ed McMahon and the psychedelically-attired Doc Severinsen. In the 1980s, long before he became churlish and partisan in his dotage, David Letterman was a fratboy variation on the same theme, another Midwestern everyman, this time with postmodern zaniness swirling around him. Fictional TV has long used the same formula, with Star Trek’s JFK-esque Captain Kirk surrounded by the pointy-eared Spock and Mencken-esque Dr. McCoy. Happy Days had clean-cut WASP Richie Cunningham, surrounded by Fonzie the Italian greaser and Ralph Malph the class cut-up. And M*A*S*H ran for a million years with Alan Alda’s Hawkeye character surrounded by oddball characters such as Radar, Klinger, Frank Burns, etc.
The View was a distaff variation on the same formula, with Barbara Walters the veteran journalist and everywoman surrounded by zany offbeat showbiz types such as the caustic Joy Behar, loony conspiracy theorist Rosie O’Donnell, and the far left Whoopi Goldberg. With Walters now retired, there’s no center of gravity to the show, no one to reign in the lunatics inside the asylum. No wonder the ratings have plummeted with the formula broken and the cast is feuding with each other.
When will ABC put this tired dysfunctional show out of its – and the remaining viewers — misery?