Ed Driscoll

Oprah Vu: A Fable Too Far

Oprah Winfrey’s recent “incident” in a Swiss handbag shop, a story which is quickly falling apart — and sounds suspiciously like an earlier racist incident she reported during a European shopping spree nearly a decade ago (but more on that later) — comes after the television icon spent the last twenty years promoting an embarrassingly large number of authors who have turned out to be fabulists.

While it’s laudatory for Oprah Winfrey to have started a book club for her talk show’s fans, a gesture that harkens back to television’s great middlebrow era, the choices of titles promoted under her name have certainly had a fair number of authors who have later been debunked for cooking the books.

The Listverse Website has a collection of “Top Ten Infamous Fake Memoirs,” three of which were promoted by Oprah, including Forrest Carter’s The Education of Little Tree, which USA Today described thusly in 2007:

First published in 1976, The Education of Little Tree was supposedly the real-life story of an orphaned boy raised by his Cherokee grandparents; the book became a million seller and sentimental favorite. In 1991, the American Booksellers Association gave Little Tree its first ever ABBY award, established “to honor the ‘hidden treasures’ that ABA bookstore members most enjoyed recommending.”

But suspicions about Carter, who died in 1979, began in his lifetime, and were raised significantly in the early 1990s, not long after the book won the ABBY. Carter was identified as Asa Earl Carter, a member of the Ku Klux Klan and speechwriter for former Alabama governor George Wallace who wrote Wallace’s infamous vow: “Segregation today! Segregation tomorrow! Segregation forever!”

“‘Little Tree’ is a lovely little book, and I sometimes wonder if it is an act of romantic atonement by a guilt-ridden white supremacist, but ultimately I think it is the racial hypocrisy of a white supremacist,” says author Sherman Alexie, whose books include Ten Little Indians and the young adult novel The Absolutely True Diary of a Part-Time Indian, a nominee this year for a National Book Award.

“I am surprised, of course, that Winfrey would recommend it,” says Lorene Roy, president of the American Library Association. “Besides the questions about the author’s identity, the book is known for a simplistic plot that used a lot of stereotypical imagery.”

While it’s explicitly a work of fiction, that same comment could be said about the mid-1990s novel version The Reader, by German law professor and judge Bernhard Schlink. In 1999, according to Wikipedia, it made (but of course) Oprah Winfrey’s book club list. A decade later, it was adapted into a big-budget Hollywood film starring Kate Winslet, Ralph Fiennes, and Lena Olin. Its selection by Oprah’s book club handlers is a curious one, considering that the book and movie essentially served as an extended apologia for Germany’s descent into barbarism under National Socialism.

In a post here a few years ago, I described the film version as as a sort of pedophilic version of The Night Porter with the genders reversed, then attempts to excuse the former SS guard character played by Kate Winslet for not knowing she was condemning Jews to death because she’s illiterate.

Can you say metaphor, boys und girls? I knew that you could. But as Ron Rosenbaum writes, in a spot-on review of the film at Salon in 2009:

Indeed, so much is made of the deep, deep exculpatory shame of illiteracy—despite the fact that burning 300 people to death doesn’t require reading skills—that some worshipful accounts of the novel (by those who buy into its ludicrous premise, perhaps because it’s been declared “classic” and “profound”) actually seem to affirm that illiteracy is something more to be ashamed of than participating in mass murder. From the Barnes & Noble Web site summary of the novel: “Michael recognizes his former lover on the stand, accused of a hideous crime. And as he watches Hanna refuse to defend herself against the charges, Michael gradually realizes that she may be guarding a secret more shameful than murder.” Yes, more shameful than murder! Lack of reading skills is more disgraceful than listening in bovine silence to the screams of 300 people as they are burned to death behind the locked doors of a church you’re guarding to prevent them from escaping the flames. Which is what Hanna did, although, of course, it’s not shown in the film. As I learned from the director at a screening of The Reader, the scene was omitted because it might have “unbalanced” our view of Hanna, given too much weight to the mass murder she committed, as opposed to her lack of reading skills. Made it more difficult to develop empathy for her, although it’s never explained why it’s important that we should.

Using extensive and fairly believable make-up effects, the film depicts Winslet’s heavily aged character spending decades in a prison cell rather than confess to her illiteracy. At the film’s climax, after teaching herself how to read — and keeping with the metaphor of the film, presumably beginning to understand the crimes she was involved in — Winslet’s character hangs herself from the ceiling of her prison cell, after first climbing on top of a desk containing the books that she had taken out from the prison library.

As Rod Lurie wrote at the Huffington Post, the Reader’s coda adds one final insult on top of the the rest of its facile metaphors, all designed by author Bernhard Schlink to excuse his fellow Germans of their guilt:

The hollowest scene is the one I am sure was intended to be the film’s most redemptive. A grown up Michael goes to see a survivor of the very church burning Hanna was involved with. She lectures him about the camps and refuses the money Hanna has willed to her (though she accepts the tin the money came in). The beautiful Lena Olin plays the survivor. She is well dressed. Her New York apartment is large and gorgeously furnished, her art collection on display.

In the scenes preceding it we see Hanna. She has nothing. She is in bad health. She commits suicide.

So, the SS representative in the film ends up pathetic and sad and, by the way, not guilty of the crime for which she was sentenced.

The lone representative of the survivors is haughty and glamorous — a near perfect (and negative) stereotype of the wealthy European Jew in New York.

Guess whom the audience can relate to more?

Then there was Oprah’s on-air grilling of author James Frey, after Oprah had endorsed his alleged confessional, Million Little Pieces. In 2006, CNN reported that Frey “admitted he lied and embellished events about himself and other characters in his best-selling book about substance abuse and recovery,” causing Oprah to pull her support for Frey’s Million Little Pieces:

“I made a mistake,” he told Oprah Winfrey during Thursday’s show. “I made a lot of mistakes in writing the book and promoting the book.”

Pressed if he lied or made a mistake, Frey acknowledged more.

“I think probably both,” he said.

Winfrey, whose endorsement of “A Million Little Pieces” turned it into one of the top-selling books of 2005, retracted her support of the author, saying she felt “conned” by him. “It’s embarrassing and disappointing for me,” she said.

CNN reported Oprah challenging Frey under the headline “Oprah to author: ‘You conned us all.'” The same could be said about yet another fabulist Oprah supported even more wholeheartedly. As Christian Toto asked in 2012, while Breitbart.com was busy debunking wide swatches of another fabulist’s past, “When Will Oprah Apologize for Obama’s Lies in ‘Dreams from My Father?'”

Winfrey will not stand for lying in print. So why is she so silent about “Dreams from My Father” and its famous author?

President Barack Obama’s 1995 memoir, we’ve learned in recent days, is chock full of “lies and serious exaggerations.” Thirty eight to be exact.

And few celebrities embraced Obama’s 2008 presidential campaign with the fervor Winfrey did. So does Winfrey feel “conned” as she was with Frey’s confession? Will she publicly chastise the president for his serial falsehoods?

Presumably, it was a rhetorical question, considering that Oprah went all-in back in 2008 to support Mr. Obama’s bid for the White House, despite the potential for alienating half of her audience.

Which brings us to Oprah’s recent incident while shopping in Switzerland, which we’ll discuss right after the page break.

Regarding Oprah’s claims of discrimination while shopping in Switzerland, Mediaite asks, “Is Oprah Pushing Racism Story to Promote New Movie?” Glenn responds, “Yes, almost certainly. Next question?”

My favorite bit is this, though: “We have to come to grips in this country that we have unconscious bias.” In this country. Oprah’s story was about Switzerland. Maybe the unconscious bias is in assuming that everyone’s as racist as Democratic media folks.

Plus, from the comments: “A story about personal experience with racism probably shouldn’t be set in a Swiss boutique for rich tourists. For future reference.”

And pushback from the store: “Maybe she was somewhat offended because she was not immediately recognized.” Hey, it’s not like she’s still on TV or anything.

Incidentally, Oprah’s latest incident sounds very similar to a story from 2005 involving previous Continental shopping woes inflicted upon the multimillionaire superstar. Time magazine, midway through a laundry list article titled, “Top 10 Oprah Controversies,” dubbed it “Oprah’s Crash Moment:”

Call it the shutout heard round the world. On June 22, 2005, Oprah was denied entrance to the Hermès luxury store in Paris, sparking a flurry of speculation as to why the billionaire talk-show host was rebuffed. The New York Post published an account of the incident that said Hermès staff failed to recognize the celeb sans makeup and asked her to leave — in part because the store had been “having a problem with North Africans lately.”

Other news sources reported that Hermès kept Oprah out because she arrived just after the store had closed. A spokesperson at Harpo Productions referred to the incident as “Oprah’s Crash moment,” drawing a comparison to the racially charged film. After fans began boycotting the store, Oprah decided to confront the situation by addressing her television audience. She dismissed tabloid accounts of the story, saying that while the store was close to closing, there was apparently still customer activity inside. Calling the experience “humiliating,” Oprah accused one “rude” employee of forcing her to wait outside the store for permission to enter and called the experience a familiar one for any person “who has ever been snubbed because you were not chic enough or thin enough or the right class or the right color.” Hermès president Robert Chavez appeared on the show to publicly apologize to Oprah for the actions of “one very, very rigid staff member,” effectively ending the dispute.

After this year’s incident and her previous retail challenges in 2005, we must ponder why someone so wealthy and successful keeps having such trouble from high-end European merchants? And why has Oprah’s staff been so consistently incompetent over the years that they can’t coordinate store hours during the precious time their boss has free during her overseas excursions, and pre-screen the best clerks to work with her, etc?

While we in America must come to grips with the notion that the exclusive stores of France and Switzerland have unconscious biases, perhaps regarding her latest incident, there might be another reason. As John Hinderaker of Power Line asks in a post titled “The Long, Hot Summer of 2013?”, rounding up several non-race race incidents, such as the George Zimmerman murder trial, and incidents involving current and former NFL players Riley Cooper and Hugh Douglas, a banana-throwing disgruntled baseball fan, the not-exactly infamous blue-on-blue Missouri rodeo clown, and now Oprah, Hinderaker responds:

What should we make of the fact that stories like these–some absurd, some not really about race at all–are being given so much attention in the press? I think the conventional wisdom, that self-apppointed civil rights leaders will seize on any purported manifestation of racism in order to stay relevant, no matter how minor or even non-existent such purported manifestations may be, is correct.

But I would go beyond that: I suspect that there is another reason why the press is so fixated on race these days. The left’s agenda is in tatters. Obamacare has crashed on takeoff, after five years of Democratic policies the economy is in the doldrums and we are nearly $17 trillion in debt, and the Obama administration’s foreign policy is is disarray. The Democratic Party, as represented by the press, desperately needs sideshows to 1) rally the party’s faithful, and 2) distract the rest of us from the failures of the liberal agenda. Thus, I don’t think it is a coincidence that liberals are doing their best to portray the summer of 2013 as more or less a replay of 1967. The silliness of the attempt is a measure of how out of ammo liberals are these days.

The years between elections are supposed to be a time for battlefield preparation. Between the feckless GOP Congress, the Democrats’ “unexpectedly” fierce War on Women involving Bob Filner, Anthony Weiner, and Eliot Spitzer, and now these ginned-up racial incidents that keep getting debunked, both sides seem determined inflict the most damage on themselves, long before Tuesday, November 4th of 2014 (or sometime in September, if you’re living in Detroit) appears on the calendars.

Update: Rush Limbaugh adds that Oprah’s latest incident is “a teachable moment on several levels,” though perhaps not the way its author originally intended, “since it’s beginning to look more and more like The Oprah may have decided to relate a composite experience:”

Now, you know what I mean by that?  In one of Obama’s autobiographies he took a bunch of women that he had known and combined ’em into one woman.  And when that was exposed by David Maraniss, the autobiographer, we were told, that’s no big deal, that is a clever tool used by really brilliant authors.  It’s called the composite character.  Rather than take up so many pages and so many words describing each and every woman, the president brilliantly combined them into one woman.  And that’s a composite experience.

So it’s beginning to look here like The Oprah may have decided to relate a composite experience. Something happened in one outing and another time she went to a store something else happened, and another time she went to a store, this happened, and she took all of these various instances and she combined them into this one visit to the bag store.  Yeah, like Obama’s girlfriend, exactly.  Composite.  Obama’s girlfriend, his first autobiography.  And the reason I say this is because The Oprah seems to be backing away from the claim that it was all due to racism.

Now, the article points out here that in her latest interview The Oprah seems to suggest that it might all have been due to the way she was dressed, which is entirely possible.  It could also be because Oprah is a plus size, and the assumption is made that plus size people, because they live in food deserts, are not rich.  I don’t know why that’s controversial.  You know as well as I do that one of the signs of wealth in women is that you can barely see them.  They’re so skinny.  Tom Wolfe had a name for them:  social x-rays.  You could see their rib cages through their skirts, dresses, whatever that they wore.  They were so thin that if you ever embraced one, their ribs could bruise you.  Social x-ray.

Now, sometimes you’ll find a very solid gut, big guy as a wealthy guy.  But you don’t find wealthy women wearing plus sizes.  Not by rule.  There are exceptions, of course.  I don’t want to mention any names.  I think this might have been it, but it’s looking less and less like it was racism, is the point.  Now the TMZ story.  It’s low-information voter alert here.  TMZ, which is the website, the network of low-information entertainment voters, picked up this story, and they’re basically calling Oprah a bully.

After the Swiss clerk pushed back against Oprah’s bullying and asked, “I don’t know why she is making these accusations. She is so powerful and I am just a shop girl,” the Professor responded, “Race-talk these days is mostly a way for the powerful to keep the ‘shop girls’ in their place.”

Sadly, that’s what the political religion that once called itself “liberalism” seems to have degenerated into by the 21st century.

Related: From John Nolte at Big Journalism, “Media Target the Powerless; Protect Powerful Liars, Bigots & Race Hoaxers.”

(Thumbnail on PJM homepage based on a modified photo originally by s_bukley / Shutterstock.com.)