Culture

Not Religion's Future: ISIS and the Art of Destruction

https://www.youtube.com/watch?v=HWXWvBCkaG0

See the opening of today’s series here: “What Is the Future of Religion?” by Frank J. Fleming. Also check out Aaron C. Smith’s installment here: “The Future of Religion: Why Judeo-Christian Values Are More Important Than Science

Recently, ISIS ransacked a museum full of ancient Assyrian and Akkadian artifacts in Mosul. They upended works of art from the 7th century before Christ and whacked enormous chunks off of them with sledgehammers. There’s a video.

If you think this is the least of our ISIS problems, you’re not wrong. You can tell me a single human life is worth more than everything Raphael ever painted, and I won’t argue with you for a second. When they behead Christians and hurl gay men to their deaths, those are inestimable losses. A museum raid pales in comparison.

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But I still felt sick watching them do this, and I think there’s a reason. I think there’s something in this video that drives home what we’re dealing with here. It’s like pulling the face off the Terminator to reveal the hideous grinning gears and diodes underneath. Watching ISIS destroy art shows me exactly who they really are.

It comes down to why we make art. To my mind, it’s because there’s something about being human that’s more than just facts. I can tell you perfectly well in prose what kind of sandwich I had for lunch, or how old I am. But to tell you what it’s like when I look at the night sky or fall in love, I need poetry. Or a painting. Or something — anything — that conveys the indescribable catch in my chest. “Where words fail, music speaks”: there’s something bigger than language in the human heart.

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Now, all those big bull-lion-eagle-dude sculptures in Mosul don’t do a lot for me personally. But I recognize that irreducible worth in them: I see that someone felt something he couldn’t say in words. Something about the nobility of the human form, the humanity and inhumanity of the divine. So he got a big rock and he started chipping away at it until it spoke for him. He gave the thing in his heart a shape in the stone. That’s what Shelley meant in his poem about emotions “which yet survive, stamped on these lifeless things”: that statue records a moment inside the soul of a human being. And that record is worth preserving.

But of course, to believe all this, you have to believe there’s something there to record. You have to believe a man is more than physical stuff — more than muscle, blood, and bones. What ISIS demonstrated in their video is that they don’t believe that. And their god doesn’t believe either. The video begins with a verse from the Qur’an about idolatry. Then someone declares that “god has ordered” that the statues be destroyed, and so “they became worthless to us.” Exactly: the god of ISIS is a god to whom humanity means nothing. He demands that people be treated like meat, gruesomely sacrificed to his power-hungry nihilism. Of course that god wants the evidence of human transcendence to be pounded into rubble. To the god of ISIS art is, as the man in the video says, just “some stones.”

Now tell me this isn’t a religious fight.

https://www.youtube.com/watch?v=AFNDIl42E20

This is what the president, and The New Yorker, and all our well-meaning multiculturalist friends refuse to acknowledge. There is a question in front of us. Do we believe god lusts after power at the expense of human dignity and life? Or do we believe God humbled himself to the point of death for the sake of that dignity and life? I am not a scholar of Islam. I do not know anything about what most Muslims believe. But I know which god ISIS believes in. They showed me again in Mosul.

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What ISIS did in that museum is a kind of art in itself. Their video is a performance, an enactment of their core creed. They’re symbolically expressing their belief that the human soul has no worth. It’s not just the destruction of art: it’s the art of destruction.

In Luke’s gospel, when Jesus rides into Jerusalem for the last time, his disciples hail him aloud as the King. The Pharisees want to shut them up, but Jesus says, “I tell you, if these were silent, the very stones would cry out.” When the truth is silenced, the whole world screams it in our ears. And the West is falling silent: we’re refusing to put an honest name to the kind of god ISIS fights for. So the message is getting louder and louder — in Mosul, the very stones are crying out.

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Please join the discussion on Twitter. The essay above is the eleventh in volume 2 of the cultural discussions between the writers of PJ Lifestyle and Liberty Island exploring the history of counter-cultures, the future of conservatism and the role of new, emerging counter-cultures in restoring American exceptionalism. Want to contribute? Check out the articles below, reach out, and lets brainstorm: @DaveSwindle

Volume II

  1. Frank J. Fleming on February 26, 2015: What Is the Future of Government? Why It Won’t Look Like Star Trek 
  2. Aaron C. Smith on February 26, 2015: What Is the Future of Superheroes? Why They Need To Start Killing Super-Villains
  3. Mark Ellis on February 26, 2016: What Is the Future of Gen-X Manhood? Adam Carolla Vs Chuck Palahniuk?
  4. David S. Bernstein on February 26, 2015: What is the Future of Fiction? You’ll Be Shocked Who’s Fighting the New Conservative Counter-Culture
  5. Aaron C. Smith on March 2, 2015: The House Loses: Why Season 3 of House of Cards Utterly Disappoints
  6. Michael Walsh on March 2: What the Left Doesn’t Get About Robert A. Heinlein
  7. Frank J. Fleming on March 3: 8 Frank Rules For How Not to Tweet
  8. Susan L.M. Goldberg on March 4: 7 Reasons Why Backstrom Is Perfect Counter-Culture Conservative TV
  9. Frank J. Fleming on March 5: What Is the Future of Religion?
  10. Aaron C. Smith on March 5: The Future of Religion: Why Judeo-Christian Values Are More Important Than Science

See the first volume of articles from 2014 and January and February 2015 below:

2014 – Starting the Discussion…

January 2015 – Volume I

February 2015

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image illustrations via here, here, and here