It’s the Book Plug Friday!
Brad Torgensen has a blog up, on the contradictory advice writers get. His list reads like this:
1 and 2 — You must never/always self publish
3 and 4 – You must never/always use a well known trope for your story
5 and 6 – You must never/always offend someone with what you write
7 and 8 – You must never/always write short fiction
9-10 – You need a writers’ group to help you polish your work/your work is best right off the bat.
Brad is very rational and sane in his post, and you should read it. Here’s an excerpt:
1. You must never self-publish.
This was gospel when I was plowing through my proverbial first million words of “practice” fiction. And at the time, it was good advice. Self-publishing invariably meant vanity publishing, which is a form of publishing where the author spends hundreds or even thousands of dollars of his/her own money, to put his/her book into print. Vanity presses tend to be scams as often as not, and with the advent of widespread electronic book platforms (Kindle, Kobo, Nook, etc.) as well as print-on-demand options like Amazon.com’s CreateSpace, vanity presses are also wholly unnecessary. Plus, self-publishing doesn’t carry the same stigma it used to. Once upon a time self-publishing was a warning flag to the rest of the genre—hey guys, I couldn’t cut it with editors! These days, not so much. There are good writers who are self-publishing, and making a decent amount of money. You have no doubt heard of a few.
2. You must always self-publish.
A lot of bogeyman-mongering has been going on the past few years, where traditional publishing and publishers are concerned: that they will always rip you off, that they don’t abide by their own contracts, that the editors suck and don’t know what they’re doing, that anyone who signs with a traditional publisher becomes a “slave” to that publisher, and so on, and so forth. Frankly, it’s up to you to know your markets. Traditional publishing is still the best bet: to make money and get exposure. And it’s also got a degree of branding power that’s tough to argue with. Why? Because writers who make the editorial cut have at least survived one kind of significant professional filter. There are lots of readers who pay attention to this. So scope out those houses beforehand, talk to writers already under contract, and do your homework. An educated writer with a bit if business savvy can do well in trad pub.
Sarah, as you know, is less sane and far less polite.
So, her answers would go something like this:
1 and 2 — other than Baen and a couple of indie presses I have no intention of writing for anyone else, but should another house emerge that is rational and treats its authors as people not interchangeable widgets, I might be tempted. The future will tell.
3 and 4 – since I usually can’t find that box that people can’t think outside of — being so far out of it I can’t see it with a periscope — I don’t really have the option of using a familiar trope. Though since I grew up in Heinlein novels, I do sometimes go home again.
5 and 6 – Well… since apparently some people were offended with the politics of my shifters fantasies, which don’t got any, and since I seem to offend people by continuing to breathe, this too might be a moot point. However my feeling is that you should write is what you FEEL intensely about. That’s what will be most present and alive to you. If you are lukewarm, the readers will be too. So, some people will hate you for what you write. Let them. Think about it, by raising their blood pressure you’re giving them all the benefits of exercise without trouble.
7 and 8 – I am a natural novelist. I trained myself to write short fiction because I thought that’s how one always broke into writing. I’m glad — now — that I have the skill. Was it worth the three years spent acquiring it? Probably not. But it was done, and now it is what it is.
9 and 10 – At some point — listen to me, all of you — everyone outgrows their writers’ group. At that point, you’ll have to stand on your own two feet. As for things being perfect off the bat… well, mine aren’t, but that’s why I have beta readers.
For all of these and the other contradictory pieces of advice you’ll get breaking in, remember — You might break in by following them, but to remain published and have a career, you must do it your way. (Cues Frank Sinatra.)
Go and read Brad, who is, as I said, far more rational than I am. Then come back here for the book plug Friday!
Last week we asked you to “please pass word to all your writer friends that we accept submissions for Book Plug Friday at [email protected]. Submissions should include the TITLE, AUTHOR’S NAME as written on the cover, a short BLURB, and an AMAZON LINK AMAZON LINK AMAZON LINK.”
And it worked! So do it again!
A collection of breathless and enchanting tales of magic, cruelty, and sacrifice – a connoisseur’s box of chocolates, dark and bittersweet. to be nibbled at and savored. Alexander’s stories owe a debt to the dark and twisted fairy tales of Oscar WIlde and the passion and poignant drama of the tales of Hans Christian Andersen; the dozen stories here are fairy tales for grown-ups – they are not the sort of stories you might want to read to your young children at bedtime. But if you read them just before go to sleep, your reward is likely to be dreams that are rich and strange, and that you may feel you have walked for a little while on roads paved with real magic.
Lydelton, a small fishing town in a remote valley called Glimmer Vale, is the perfect place for two fighting men on the run to stop and decide on a plan. But when Julian and Raedrick arrive they find the town besieged by a ruthless band of brigands. Worse, the brigands have taken up station in the mountain passes, blocking the two friends’ escape. With no way around the brigands and no option of returning the way they came, Julian and Raedrick accept an offer of employment. Their mission: defeat the brigands and restore peace to Glimmer Vale.
They are outnumbered at least twenty to one, long odds even if they recruit help. But that help may not be enough when the specter of their past rears its head, forcing Julian and Raedrick to openly face what they are fleeing or risk losing not just their freedom but the lives and fortunes of Lydelton’s inhabitants.
Glimmer Vale is a short, fun fantasy adventure novel, the first installment in the Glimmer Vale Chronicles.
Meditations on Japanese art of sumi-e and the essence of catness. All the illustrations in this book are original sumi-e (Japanese ink on paper) paintings by Poul A. Costinsky. The so-called poetry is too.
Those with MS and the people whose lives they touch will find this book helpful in understanding the wide ranging effects with a firsthand look at what it is like to live day after day, year after year with the disease. Written by a woman who is still walking after more than 40 years, the author paints a full and encouraging picture of how it is possible to have a satisfying life despite illness. Kathleen Scully Aquilino experienced the first symptom while in college but was not officially diagnosed until she was 44. Through the growing number of ailments and afflictions her mysterious disease brought, she kept going. Working, Marrying. Making a home. Adopting and raising a daughter. The delay in diagnosis actually did a great deal to help her stay positive and active. There are some lessons here in the power of expectations.
Ierna is an island on a world at the center of the universe where magic and legend converge and an epic battle is raging between the forces of light and the forces of darkness. Ancient Ireland of Earth is a reflection of Ierna and what happens there will ultimately affect Earth and all other worlds.
Cuhal O’Connor has murdered his brother the King and, with the help of Porthcodal, the arch-druid of Tara, seeks to take the throne for himself. To support the king and his own ambition, the druid has unleashed old gods and dark forces to support the king in his subjugation of the country. He has called a race of evil sorcerers, the Fomorians, to the island to assist in his plans.
Opposing Cuhal are Sean O’Connor, his younger brother, and Brian O’Mordha, former King’s Champion and high general of the army. They are determined to stop Cuhal, but have few resources and a price on their heads. They rescue Sean’s niece Maggie, the former king’s daughter, who escaped when Cuhal murdered her parents. Sean knows the true ruler of Tara must have the Gift, a psychic feel for the land, and while he doesn’t have it, Maggie does. They escape from Tara and set out for the fortress of another major family, the O’Neills, in search of allies.
A man framed . . . his life ruined . . . and then the twists begin. Jack Bolt rose from a hillbilly childhood of poverty, neglect, and abuse. Thanks to his unusually keen mind and the faith of a teacher and a bookstore owner, his future looks bright. At age 25 he’s working maintenance in a college town, studying on a scholarship, and about to marry the girl of his dreams. During a routine service call at a church he runs into 13-year-old Sarah Ellison. Moments after he leaves, Sarah is brutally murdered. Bolt is charged with the crime and convicted by a brilliant prosecutor who uses his own honesty against him. He’s been framed with tainted evidence, but this is no whodunit. Bolt knows exactly who did it—Conrad Baylor, church deacon and deputy chief of police. Held in jail during his trial, Bolt is haunted by the ‘howdunit’: How did Baylor manage to tamper with the evidence and frame him? And how can he discover the secret and clear his name if he goes to prison? But then, in a strange turn of events, Bolt is offered a chance to prove his innocence and recover his once-promising future. That’s when a deadly game of cat-and-mouse begins . . .
Marcus Antonius Primus began a golden age for humanity when he liberated Roma from Octavian Caesar and became sole Consul. With wisdom from the gods, future Antonii Consuls conquered the world and spawned an interstellar civilization.
Three weeks before the millennial anniversary of the Antonii Ascension, star freighter captain Kaeso Aemelius, a blacklisted security agent from Roman rival world Libertus, is asked by his former commanders to help a high-ranking Roman official defect. Kaeso misses his lone wolf espionage days – and its freedom from responsibility for a crew – so he sees the mission as a way back into the spy business. Kaeso sells it to his crew of outcasts as a quick, lucrative contract…without explaining his plan to abandon them for his old job.
But Kaeso soon learns the defector’s terrifying secret, one that proves the last thousand years of history was built on a lie.
Can Kaeso protect his crew from Roman and Liberti forces, who would lay waste to entire worlds to stop them from revealing the civilization-shattering truth?
In the future, America is divided. It’s been two decades since Washington D.C. was destroyed and the West Coast devastated by EMPs and The Federal Council rules the country. Only the Free Territories, carved out in the bloody aftermath of two revolts against the Council defy them.
When a shocking assassination threatens the uneasy peace, the Prime Minister of the Free Territories, Chelsea Andrews is faced with a choice: fight to save the peace or take a chance to make America free once more. As both sides race to prevent a war that no one wants, a shadowy enemy from her past waits for his chance at revenge and the secret he holds could be the most powerful one of all:
Who is Prisoner 112?
The answer to that question may decide the fate of America, once and for all…
In a world where prayers are often answered, and saints talk to the Gods . . .
The First Gods created the Universe. And their time done, returned their Fire to their creation.
The Ancient Gods crafted the World, and the People. And their time done, gave their Fire to their creations.
Then Men became so great souled they became gods themselves upon the death of their final mortal bodies.
The Elder Siblings have long ruled the Continents, attending to Dynasties, Nations, and Wars.
The Younger Siblings are not yet so strong, and content themselves with matter of local importance. Hearth and Hone, Trade and Piracy. Death and Birth. Storms and Tides.
But men continue to act like men. Power accumulates, attracts and nurtures both good and bad stewards.
This is a time of the bad stewards. A time when the Church has ceased to serve god and congregants, and insists that the congregants serve the Church. A time when the saints are constrained in what they ask the Gods to do. A time when the son of a saint and a god is well advised to keep himself away from the gaze of the powerful.
This is a time when the gods themselves have become corrupted.
This is a time when a demi god can save the world—if he manages to first save himself.