Archiving the “strange death of Europe,” as Douglas Murray put it, and the West more broadly, at the hands of the neoliberal technocracy.
‘Displaced from our humanity’
The Displacement Film Fund is a philanthropic vehicle for bored celebrities like UNHCR Goodwill Ambassador and co-founder Cate Blanchett to signal their virtue that “champions and funds the work of displaced filmmakers, or filmmakers with a proven track record in creating authentic storytelling on the experiences of displaced people.”
Somehow I doubt any of the commissioned films on “experiences of displaced people” will include the baby dolphin murder at the hands of feral migrants on the shores of Ceuta.
Related: VIDEO: Migrant Horde Allegedly Bludgeons Baby Dolphin to Death on Ceuta Coast
Here Cate is spewing a bunch of pseudo-enlightened progressive gibberish to promote her self-aggrandizing project:
There's a toxic narrative around displacement which has been politicized and part of the Fund is to rehumanize and make the connection because those people who have the great fortune to be housed, to be in nations that are free of conflict, at the moment, we're being asked to be displaced from our humanity and so art, the foundation of art, is to allow people to make pathways of connection and to remind us that we have more in common with people who are displaced than we realize.
"There's a toxic narrative around displacement which has been politicised" Cate Blanchett, a co-founder of the ‘Displacement Film Fund’, speaks to #Newsnight about attitudes towards refugees and asylum seekers in the UK. https://t.co/9Fl7TYmRoA
— BBC Newsnight (@BBCNewsnight) October 9, 2026
Related: UK Council Hires Private Security to Shield Schoolgirls From Loitering Migrants
Imagine being stuck on a plane next to this bimbo on a transatlantic flight.
Of course, that would only ever happen in theory — she surely travels by private jet exclusively.
Coach is for the peasants and the rapey migrants she loves so much.
The word games these people play never end.
“Displaced peoples” might have meant, in its original conception, individuals or groups displaced from their homes during armed conflict or natural disaster.
It is now, like “refugee,” merely a catch-all for economic migrants imported through an industrial NGO machine to replace the native populations of the West, particularly Europe, so as to render them easier to eventually fold into globo-homo race communism, as Western societies have a pesky historical tendency going all the way back to the 1215 Magna Carta to resist authoritarian regimes.
My favorite clip from the movie Bruno, aside from the bit of him with the adopted African baby he gave the “traditional African” name of OJ, is an interview with a bunch of vapid celebrities about what the “next” trendy conflict zone to pretend to care about is after Darfur.
“What’s Darfive?”
London opens ‘first cinema dedicated to black and African filmmaking’Housed in an architectural atrocity stripped of any beauty that looks like a crashed Borg spaceship, London mayor has generously used public money to erect a monument to Diversity™ catering to local aliens and their “art,” who “don’t have enough spaces” of their own in Britain.
Related: New Hollywood Hate Flick: White People ‘The Most Dangerous Animal on the Planet’
Via Vaultz News (emphasis added):
The Mayor of London, Sadiq Khan, has officially opened EbonyLife Place, the United Kingdom’s first cinema dedicated to Black and African filmmaking...
EbonyLife Place brings together film, food, fashion, art and music under one roof. At its centre is the 160-seat Amani Auditorium, named after the Swahili word for peace and harmony. The cinema will run a year-round programme with a strong focus on Nollywood productions from Nigeria, alongside other films that explore the Black experience from Africa, the Caribbean, the United States, the United Kingdom and beyond.
Abudu, who was born in London and built EbonyLife into one of Africa’s leading media companies, said the project grew from a desire to create a dedicated space for stories that previously lacked a permanent home in the UK. “We don’t have enough spaces to serve Black cinema in the United Kingdom… representation is so important to us,” she stated at the launch.
The mayor of London has officially opened the UK's first cinema dedicated to black and African filmmaking, in south London. The venue, in Nine Elms, brings together film, food, fashion, art and music under one roof, celebrating black culture and creativity. https://t.co/1Z5cjNNHd2
— BBC London (@BBCLondonNews) October 8, 2026
