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DEI Deathwatch: Broken Spells, Broken Curses, Pt. II

AP Photo/Alex Brandon

Chronicling the creeping demise of Diversity™, Equity™, and Inclusion™, otherwise known as institutionalized racism. 

Houston’s rainbow crosswalk gets the axe

After Governor Greg Abbott threatened to revoke all state funding to cities using public resources to promote transgenderism, the city of Houston recently caved.

A small gaggle of gender goblins reportedly tried to interfere with the glorious demolition, only to be promptly arrested so the excavation could continue.

Now, “community leaders” are concerned the BLM and George Floyd shrines are next on the chopping block.

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Top race hustler and hate crime monger Ben Crump: “The rainbow crosswalk is gone, and now Houston’s Third Ward fears the George Floyd mural and Black Lives Matter tribute could be next. These are not political statements, they are sacred symbols of truth and history. You can’t erase pain by painting over the truth.”

“Sacred symbols of truth and history!”

Karine Jean-Pierre commits unforgivable culturally appropriative hate crime

Out and about on the legacy media circuit selling the newly ghostwritten book she almost certainly hasn’t even read herself, Karine Jean-Pierre is trying her best — bless her heart — to try to rationalize how she could not have known her boss was demented despite, in her own words, traveling with him “95% of the time,” including on the night of his infamous debate implosion.

It’s all more of the same gaslighting BS of the sort she regurgitated (poorly) from the notes her handlers placed in her briefing binder for two-plus years, but what I’d like to direct your attention to here is the hate crime that is her hair.

That’s a lot of chemical and very little natural.

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So you understand, “cultural appropriation” as a moral crime only applies to white people because of some Marxist philosophy about a “constant struggle between dominant and subordinate causes.”

Via Medium (emphasis added):

African Americans style their hair in different protective styles, specific to their hair type and unique to their culture. Cultural appropriation is defined as “the adoption or co-opting, usually without acknowledgment, of cultural identity markers associated with or originating in minority communities by people or communities with relatively privileged status” (Dictionary.com). The cultural appropriation of black hairstyles by white people has become normalized in our society today. In his essay, “The Skin We Ink: Tattoos, Literacy, and a New English Education,” David Kirkland defines literacy as “taking shape within ‘a zone of constant struggle between dominant and subordinate’ causes” (Kirkland 160). I understand this definition as communal literacy. Literacy is not limited or subjected to written or verbal forms. It can include visual forms of expression. Historically, black hairstyles represent a form of literacy among the black community. Black people have and continue to use their hairstyles as a means of self-expression, a way of imposing their identity in a white-dominated society. In terms of communal literacy, the cultural appropriation of black hairstyles by white people diminishes the hairstyles’ cultural and historical value.

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