My piece on Hollywood’s reaction to 9-11 is up now at City Journal:
Hollywood’s lockstep leftist filmmakers have long busied themselves with a range of shameful enterprises. They have peddled and celebrated a wholly distorted and negative vision of American manners in dishonest films epitomized by American Beauty (1999). They have sold the self-contradicting nonsense of moral relativism in films such as The Reader (2008). They have routinely depicted the U.S. government and U.S. corporations as bad actors in world events, as in The Bourne Ultimatum. And—in what some observers consider a conscious scheme by a likeminded filmland clique—they have maintained a small but steady effort to normalize the sexual abuse of children in films like Little Children, The Woodsman, Towelhead, and more.
But when it comes to sheer shamefulness, the conformist “radicals” of Hollywood outdid themselves in the years after the Islamofascist attacks on 9/11.
You can read the whole thing here.