PJ Lifestyle

Roger Kimball

Things You Take for Granted

Your right arm, for example. I had arthroscopic surgery on my right shoulder Monday — rotator cuff and labrum repair (I didn’t even know know I had a labrum) — and I’ve been moping about since with my arm in a sling and hooked up to a machine that circulates ice water around the traumatized bit of anatomy for 20 minutes every hour or so. Here’s a fun test: try tying your shoes with only your left hand. Or (assuming you are right-handed, as I am) try signing your name or using a fork. Your incapacity, I suspect, will be almost comical.

The nerve block I had Monday at about 11 a.m. lasted far longer than predicted: until 5 or 6 Tuesday night, which meant that I couldn’t move my arm and my thumb and first two fingers were all pins and needles and, beneath that, numb as a parboiled tenderloin. The upside of that situation was an absence of pain, which only arrived on the scene last night about bed time. (Another thing you take for granted: being able to sleep on your side: if you have shoulder surgery, be prepared to sleep — or try to sleep — on your back, your head and affect arm propped up by a few pillows.)

Pretending you’re Paul Wittgenstein is amusing for about 5 minutes. Then the tedium sets in. I typed a bunch of emails Monday evening and yesterday using only my left hand. Polonius’s observation that “brevity is the soul of wit” never seemed so forcefully pertinent. The sling is basically a 24/7 prescription, except for the morning shower. The surgeon has also given me permission to sit with the sling in my lap while I type, which, now that I can move the fingers of my right hand effectively, makes life with writing deadlines much easier to contemplate.

We’ll see whether the operation was worth it. Right now, of course, my arm feels far worse than when I presented myself to the sawbones’s ministrations. When I sat in the doctor’s office discussing the surgery he spoke airily of a “two to three week recovery.” Turns out that is only phase one. I have similar problems with my left shoulder but I suspect I will wait a good long while before embarking down this road again.

There are, however, salutary side effects of such incapacities, not least that sobering recognition I mentioned of things you take for granted: tying a shoe lace, buttoning your shirt, signing your name: it’s all so effortless when everything works as it should, nearly impossible when something goes wrong. What a stupendous thing it is, though, that most of us are such casual experts dispatching the complex tasks of everyday life. It’s irritating to be incapacitated, but really our chief emotion should be gratitude: gratitude for the quite extraordinary medical interventions we’ve concocted to say nothing of the general competence most of us enjoy in our circumnavigation of life’s little chores and obstacles. Aristotle defined man as “the rational animal.” I know what he meant. We homo sapiens sapiens are unique in our possession of self-conscious reflection. I’ve been struck, though, by the thought that “ungrateful animal” often seems to be a much more widely dispersed human characteristic than reason. I wonder what the old Stagirite would have to say about that.

(Image via Shutterstock.com.)
Posted at 5:21 am on October 12th, 2011 by Roger Kimball

Harry Potter and the Deathly Shallows

Er, Hallows: Deathly Hallows. It was more than a decade ago that I heard about the Harry Potter series.  My  wife, who was the first adult in our neighborhood to become Potter Proud and Rowling Ready, told me about the clever Mrs. Rowling and her school full of witches, wizards, magical creatures, and spells. It sounded like a cross between Tom Brown’s Schooldays and J.R.R. Tolkien. The best thing about the former, I’ve always thought, was that it provided George MacDonald Fraser the inspiration  for his hilarious if also troubling “Flashman Series.” As for Tolkien, I think Edmund Wilson had it about right in his 1956 essay “Oo, Those Awful Orcs!” (“Certain people,” Wilson observed, “have a lifelong appetite for juvenile trash. They would not accept adult trash, but, confronted with the pre-teen-age article, they revert to the mental phase which delighted  in Elsie Dinsmore and Little Lord Fauntleroy.”)

Anyway, I didn’t pay much attention to Mrs. Rowling’s creations until one evening in 2000 when I wandered into a Borders Bookstore (remember Borders?) in New York. I had just published a book called Experiments Against Reality:The Fate of Culture in the Postmodern Age and I was a man with a mission. I strode boldly up to customer service and asked the clerk whether they had copies of this indispensable volume. The answer, I am happy to report, was yes: they had a grand total of 3 copies in stock.

Now, 3 is not a very large number of copies, but I have to say that I found even that modest requisition heartwarming. You will find it hard to believe, but there were many bookshops across this great land that had no copies whatsoever. No wonder traditional bookshops are having such a hard time of it. (Commercial alert for PJMedia readers who wish to impress their friends and stymie their enemies: you can still  become a proud owner of Experiments Against Reality: Click here and Amazon will do the rest. Go ahead, you owe it to yourself.)

As I say, I at first found it heartwarming that that particular Borders possessed 3 copies of my new book.  At first.  For as I proceeded around the bookshop I noticed large piles of another book, not my book. And when I say large, I mean stacks and stacks of the things. Nor were these literary obelisks congregated around one table. No, they were spread all over the main floor: veritable Eiffel towers of books — scores, no hundreds of copies of that one title. Not my book, alas, but Ms. Rowling’s. The Prisoner of Azkaban, I believe, the third in the septology. Original sin being what it is, I confess that the experience jaundiced my view of Harry Potter. OK, there are no spells or incantations in Experiments Against Reality (did I mention a copy could be yours in just a day or two by clicking here?), nor are there dragons, impossible potions, a game called Quidditch, or cute English school kids who grow up to model for Lancôme. But there is a fair amount about Good and Evil, the battle between which was (I am told) important to the success of the Harry Potter series. Alas, I did not think to personify Evil in the figure of a disembodied, snake-like creature with a memorably creepy name. Perhaps that’s why there were only 3 copies of Experiments Against Reality at Borders (available right now at Amazon, by the way, if you just click here) while there were 300 or maybe 3000 copies of The Prisoner of Azkaban.

Perhaps. Or perhaps not. In any event, about the time our son became potty about Potter,  I read through the first installment of the series, which in England is called Harry Potter and the Philosopher’s Stone. (“Philosopher’s stone” was apparently considered too recondite a reference for American readers, so the book appeared here under the title Harry Potter and the Sorcerer’s Stone, whatever a “sorcerer’s stone” might be.)  It’s quite a lot of fun, as all the world knows, even if it would be unlikely to pass muster with Edmund Wilson.

It’s often remarked in The Literature that the Harry Potter books get increasingly dark as the series progress. There’s something to this, though I just saw the last movie, Harry Potter and the Deathly Hallows, Part II, (which John Boot reviews elsewhere at PJM) and, though physically dark because of the 3-D glasses, I found it less grim than its predecessor.  Maybe it’s because (surely I am not giving anything away?) Good triumphs in the end. Maybe even the cast, after all these years, oozed a sense of relief that, at long last, they could move on to something besides Hogwarts School of Witchcraft and Wizardry. Do not bring Edmund Wilson. He wouldn’t like it. But most young teens will, including, I think, the young teens that survive somewhere in most of us older folk.

Posted at 9:25 am on July 17th, 2011 by Roger Kimball

Mission: Impossible

I see several of my fellow bloggers at PJM are mentioning movies and television shows, so I thought I would mention a series from the sixties that I remember with fondness and which I am now enjoying all over again with our twelve-year-old son. It’s Mission Impossible, which you can find at Amazon in various packagings as well as at Netflix, where you can order the discs or download to your “Instant Queue.”

Many readers will know the recent Mission Impossible movies with Tom Cruise.  What I chiefly remember about the first installment was the assurance during the ending credits that “no fish were harmed” during the scene where doughty Ethan Hunt has to detonate an aquarium in order to escape from the evil CIA (or whatever) boss. The movie (at least the first one) has the terrific theme music — the best, possibly, of any television show — by Lalo Schifrin, in the original 5/4 time and it also reprises a few familiar  gimmicks from the original television series.

But the tone, and the point, of the television series is antithetical to the souped-up, cynical, politically correct movie franchise in which the real enemy is the U.S. or even other members of the team. The television series now seems like a period piece. Most of the actors smoke, for heavens sake, and the beautiful Cinnamon Carter (Barbara Bain) is a pre-feminist, i.e., a feminine woman who is sassy and smart as well as luscious. The plots tend to involve nefarious Communist tyrants, drug peddlers, or other n’er-do-wells: we, the U.S., are the good guys — imagine that! — and the ingenuity of Mr. Phelps, Barney the engineering whiz, and Roland the “man of a thousand faces” is deftly if also predictably directed to a satisfactory ending in which the bad guys get theirs and our heroes drive or fly off in the nick of time, having once again saved the day. It’s not great theater, but it is, I can confidently report, calculated to engage to unwavering interest of any 12-year-old with the requisite quota of red corpuscles.

Posted at 6:30 pm on July 11th, 2011 by Roger Kimball