‘Those Who Lack Delicacy Hold Us in Their Power’
Why the New Criterion's theater critic was ejected from the theater.
May 16, 2013 - 3:31 pm
I am just writing a piece about Maureen Dowd that begins with a quotation from William Hazlitt: “Those who lack delicacy hold us in their power.” La Dowd exemplifies the melancholy truth of Hazlitt’s observations in her girly, gossipy prose that brings the cattiest of sorority nastiness to the august pages of a once-serious newspaper. It’s the disjunction that causes the frisson: you’re expecting some sort of serious analysis or opinionating and what you get instead is this painful smart-ass calling people names and calling attention to herself like a poorly brought-up, pubescent brat who recently discovered that her sex could be deployed as a weapon as well as an excuse.
But let me leave Maureen Dowd for later on. Now I want to remark on the wide application of Hazlitt’s principle: “Those who lack delicacy hold us in their power.” You can, I’m sure, think of plenty of examples. Here’s one. My friend Kevin Williamson, a writer for National Review, author (most recently) of The End is Near and It’s Going to Be Awesome, and theater critic for the magazine I edit, The New Criterion, got tossed out of a theater last night. Why? Because Hazlitt’s principle was working overtime. Let Kevin explain:
The show was Natasha, Pierre, and the Great Comet of 1812, which was quite good and which I recommend. The audience, on the other hand, was horrible — talking, using their phones, and making a general nuisance of themselves. It was bad enough that I seriously considered leaving during the intermission, something I’ve not done before. The main offenders were two parties of women of a certain age, the sad sort with too much makeup and too-high heels, and insufficient attention span for following a two-hour musical. But my date spoke with the theater management during the intermission, and they apologetically assured us that the situation would be remedied.
The situation was not remedied. On the contrary, “The lady seated to my immediate right (very close quarters on bench seating) was fairly insistent about using her phone. I asked her to turn it off. She answered: “So don’t look.” I asked her whether I had missed something during the very pointed announcements to please turn off your phones, perhaps a special exemption granted for her. She suggested that I should mind my own business.
This is where things got interesting.
So I minded my own business by utilizing my famously feline agility to deftly snatch the phone out of her hand and toss it across the room, where it would do no more damage. She slapped me and stormed away to seek managerial succor. Eventually, I was visited by a black-suited agent of order, who asked whether he might have a word.
Kevin wondered, as I would have done, whether management had come over to give him a pat on the back and congratulate him on dealing effectively with a public nuisance. I hope you will be as shocked as I was to learn that instead, he got the boot. There is, Kevin concluded, “talk of criminal charges.” I assume, but do not know, that he means he is contemplating suing the female in question, the theater, or both. It’s been suggested to me that, on the contrary, the possible charges might be directed at Kevin.That, I suppose, is possible, but only because William Hazlitt, with his laser-like insight, saw deeply into the heart of human folly.