Jazz and Islam, Part V
John Coltrane and Bilal Philips: two musicians, one famous, the other obscure, but both men who in the course of their lives found themselves at an absolute impasse and underwent a dramatic conversion. And in those conversions, they chose two radically different paths for life and society.
Coltrane changed the sound of the tenor saxophone. When he arrived on the scene, tenor players tried to sound like Stan Getz or Coleman Hawkins, Lester Young or Ben Webster. Coltrane did not, and was at first even derided for the clear, sharp intensity of his tone. After his career and untimely death, however, virtually everyone who has taken up the instrument has tried to sound like John Coltrane.
But an arguably even greater change that John Coltrane made was within himself. In the first rush of success, he was caught up in the jazz musicians’ culture of the 1940s and 1950s, began drinking heavily, and became addicted to heroin. But then, as he recounted later: “During the year 1957, I experienced, by the grace of God, a spiritual awakening which was to lead me to a richer, fuller, more productive life.”