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by
Bridget Johnson

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December 3, 2012 - 10:16 am
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Being in Rome withdrawal back in 2010, I was anxious for another good historical series from HBO (and those in Rome withdrawal may have noted that Ray Stevenson, who played Titus Pullo, surfaced this season as a Ukrainian bad guy with a British accent on Dexter, another favorite show of mine). Plus, no Quentin Tarantino fan would turn down the opportunity to watch Steve Buscemi headline a series. To be honest, I almost didn’t make it through the first episode, which was directed by Martin Scorsese and relied on self-indulgent historical recreation boardwalk shots.

Season Three started well, but the personal subplots that carried the mob family in The Sopranos became a drag for Boardwalk. Nucky Thompson (Buscemi) was annoying as he paid ill attention to his business while trying to “rescue” yet another woman, this time a flighty actress who fell victim to that ill attention when she was killed by a bomb meant for Nucky at the supper club. Gyp Rosetti (Bobby Cannavale) began the season on a scary note, but as his reign of terror continued he was often a comical stereotype of an Italian gangster. Micky Doyle (Paul Sparks) was annoying because he’s supposed to be, but got a head-scratching amount of business responsibility this time around (one of the season’s best lines came from Eli Thompson, played by Shea Whigham, when Mickey was sent to pick him up from prison: “Let me ask you something, Mickey. How the f*@k are you still alive?”). And Margaret Thompson (Kelly Macdonald) was annoying as all get out as she squabbled with Nucky, went on her family planning crusade, then ironically didn’t think about her own birth control when she had sex with her husband’s handsome Irish right-hand man.

There simply wasn’t enough of the best characters this season, though some got their story arcs broadened a bit.

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