Or just skip it entirely, as I’m planning to, after reading the Wall Street Journal’s interview with director John Lasseter, who says:
We revamped the whole story, the whole bad-guy arc. To me, there always needs to be a logic to our movies. No matter what subject matter it is, they have to be logical for the world we’re creating. I kept thinking about, “OK. A spy movie in the world where cars are alive. What would be a really good kind of über bad guy? Who is an über bad guy?” I kept going to big oil. This is before what happened in the Gulf of Mexico.
Why isn’t alternative fuel more… Why isn’t everybody jumping on that bandwagon? It makes so much sense: Electricity, solar, whatever. There’s ethanol. There’s all this stuff you could be doing. And so I thought, well, that could be really cool in that you could have big oil versus alternative fuel. That’s when we kind of crafted the bad guy’s story.
The greatest bad guys, you understand where they’re coming from. They believe they’re doing the right thing. Sometimes it’s for greed, sometimes it’s for other reasons, but they are what they call the center of good. They always believe they’re doing the right thing.