Last week, there was an amusing piece in Slate on the alleged conservatism of John Hughes, the man who launched a thousand brat-pack actors in the 1980s:
It should have come as no surprise, then, that a faint smirk of family-values-friendly subversion stamped itself on all of late Hughes, which is to say his even more establishment period as a filmmaker. From The Great Outdoors (in-laws sure are difficult) to Home Alone (towheaded McMansion latchkey kid foils robbery, saves Christmas) to Dennis the Menace (overall-wearing scamp of the manicured lawns sling-shoots his way straight into your heart)
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