There’s an old joke that when Hollywood films tank, their reels get cut up into thousands of guitar picks. And this year, it does seem like lots and lots of Fender Premium Celluloid picks are being created out of lots of far from premium movies, doesn’t it? As I wrote a few days ago, in a post that looked askance at two recent movies, “when did Hollywood decide that all of its new films must suck?”
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Tech Central Station and Power Line add two more to the list: Doom and North Country, regarding the latter, a few weeks ago, the Libertas film blog described it thusly:
So the other night I
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