The dragon ate my week. It’s gone, along with my left sock. There’s not a trace of artwork and very little actual writing to be found; nothing was left behind but a few crumbs of productivity scattered around my office.
In the very first chapter of The Artist’s Way, Julia Cameron details two indispensable tools for creative recovery: morning pages and the artist date. I am happy to report that together with my daughter, Emily, we have managed to integrate both practices into our daily lives over the last couple weeks. That’s how I discovered the dragon.
Every morning I’ve gotten up, poured my coffee and sat down with pen and paper to produce the assigned three pages of “stream of consciousness writing.” The theory is that by doing so, you drain off the daily debris of life, thereby clearing the pipeline into the deep resources of your creativity, even spirituality. (There’s also the added benefit of improving your penmanship.)
My morning pages have been nothing short of life changing. From them have emerged the critical missing element in a book I’ve been developing for years. With several major projects nipping at my heals, I’ve been productively immobilized–the literary version of a deer-caught-in-the-headlights. Over a three-day spread of pages, the answer and clear direction surfaced.
Most shocking however, was the unexpected creature that also came crawling out into the light and found its way onto my pages –the aforementioned dragon living in my house. Skeptical? Evil is real.
This dragon follows me. The creature obscures my vision, eats my time and steals my productivity. In the War of Art Steven Pressfield calls him “Resistance.”
“Most of us have two lives. The life we live, and the unlived life within us. Between the two stands Resistance.”
Although I can’t kill him, as he is reborn with every sunrise, I did learn how to render him toothless.