Selling Your Writing In 13 Weeks, Week 11
I’m not recommending any of you give up on indie publishing because you think you hold a bad hand. This is more a matter of “you’ve got to learn to pace it.”
Look, when I was young, before I got married, I used to run. I was about to say I used to run marathons, but I only ran a few formal ones. Mostly what I did was go for a good run to shake out the stress (as I was going to college, tutoring, writing, and had an active social life, there was a time interning in a newspaper and… well… things got stressful. Oh, yeah, also I was politically involved.) But I ran long distances. I sucked as a sprinter, but I was really good long distance, even in competition, because I knew how to pace myself. I wasn’t that fast over any stretch of road, but I kept going and going and going so that as other people fell (panting) by the wayside, I would be one of the first if not the first across the finish line.
Writing indie is not a sprint – it’s a marathon.
One of my friends who is an indie writer and doing fairly well is accruing her own cluster of “starting out writers looking for advice.” This is normal. This way of publishing is so new that each of us that goes a little way out of the starting gate will become a “guru” in no time. It reminds me a lot of computer programing back in the eighties (my husband was a programmer at the time) or even of aviation in World War I or – further back – of “established settlers” in the West.
What all of these have in common is that they are fast-changing landscapes filled with adventure and peril (of a sort. No. Really. No one is going to shoot you for publishing indie. I hope. But you can make a fool of yourself very easily.)
And in all of these the space between “newbie” and old man is incredibly short. If you’ve been around the scene for even a little while, you become one of the “old, trusted ones.”
My friend Cedar Sanderson – two books out, a lot of mistakes made, a lot learned, and her second book selling shockingly well – found herself the guru of a small, starting out group.
Because I’ve been her mentor for about 11 years (during most of which she wasn’t writing, but dealing with life issues – but wanting to write eventually) she comes to me when she doesn’t know QUITE what to do.
One of the problems she brought me was one of her own fledglings, who is just starting out, and who – with a few short stories out – intends to make a living out of this in a couple of years.
She didn’t know how to explain to him that while this can happen, it’s not the most likely way for things to shake out. (I didn’t either. I mean, I can say things, but if people aren’t going to believe me…)
So, for those of you who are willing to believe me, before you get the idea that indie publishing (or any publishing) is the fast way to fame and fortune: writing is a business. More importantly, writing is a craft and a profession.
We all know rich lawyers, rich doctors, rich artists, for that matter (well, I know a few who are very well off.) However, no one sane has ever made a life plan that consists of the following: week one – graduate law school. Week two – get a million dollar check.