Mission Impossible 4: Ghost Protocol
Off his meds and ready for action!
Whenever you hear a movie star say he did his own stunts in a picture, you can be sure he’s lying like a network anchorman. Before the cameras can roll, a film has to be insured and no one will insure you if you put your star in danger. A Tom Cruise hangnail costs the production millions. You just cannot allow the guy to hang off a moving car—or even walk out of his trailer without strewing his path with feathers.
But the thing I like about Cruise is that he now looks so totally crazy that you really can believe he would hang off the window of a 100-story building or jump off a ledge onto a moving truck. Only when he’s sitting still, speaking ordinary dialogue, do you start to wonder why he was let out of the padded cell.
Cruise brings that crazy guy intensity to the latest Mission Impossible entry and holds the whole thing together by force of personality. It’s a fun flick, if you don’t mind the silliness, and I didn’t. It doesn’t take itself too seriously. And it delivers huge, innovative action set pieces that are a pleasure for their own sake. Most of the time you’re thinking more about the second unit team than the plot and characters—not so much Oh no, our hero’s in danger! but rather, Cool—I wonder how they did that? Still, I had a good time and so, by all appearances, did the cast and crew.
Clearly someone—the studio, director Brad Bird, the writers or maybe Cruise himself—committed themselves to giving the audience that good time first and foremost and you just can’t help but appreciate that. If the punters liked Cruise climbing a mountain in MI2, well, he can climb the outside of the largest building on earth this time! If we have two pretty girl characters, by golly, we’ll put them in a chick fight—dudes love that! There’s even a scene where statuesque Paula Patton strips to her push-up underwear in the middle of a car chase! My wife thought it was absurd and I, you know, agreed with her, ahem. No, really. Absurd. Really.
With the exception of the weirdly mesmerizing Cruise, who may not have known he was actually in a movie, and Simon Pegg who does a good job with the thankless role of comic cut-up, the actors seem to be memorizing rather than speaking their lines, but when it comes time for action, they all do a great job kicking and punching, and that’s where the money is.
So yeah, if you like the Roger Moore James Bond films, but think they’re dated, this is a jolly good time. (Great title, too, which actually makes sense in context.)
From another point of view, I don’t care how many acting classes an actor goes to, does all his or her acting “stunts” – rehearsals, hangnail removals, etc. I don’t care. I only care about the entertainment, the story being told, and if that’s done well (which falls not only on the actor(s) but the writing, directing, set design, everything), then any zaniness on the part of the actors or director means nothing to me.
The MI films are entertainments, pure and simple. In that sense, they deliver. They’re fun to watch, the movie goes by quickly, you’re left wanting a little more, that kind of thing. That’s the whole point. These movies are 2-hour vacations. That’s all, and that’s enough.
Cruise might be a bit on the kooky side, but he clearly throws himself into these things with everything he’s got, and at least some of that comes through in the Hunt character. That can’t be a bad thing for a movie franchise that’s all about one-upping itself with each iteration.
If you liked Tom Cruise’s crazy intensity in this movie, you should see “Valkyrie”. That is if you haven’t already.
He played the role of Colonel Claus von Stauffenberg who led a plot to kill Adolf Hitler.
At the beginning of the movie, when they were setting up the conspiracy, he started telling the other officers how much he really really loved Germany. I totally believed him. When he talked about his Fatherland he got a scary look in his eye I have never seen in another movie star.
The thing I objected to in the first three MI films is that all of them involved a traitor in the agency. Once, I could forgive. All three? Can’t we just have the Bad Guy be the Bad Guy?
I don’t know if he did all the stunts in this one, but in the (I think) first movie there’s a sequence with him climbing a very steep rock in Australia at the beginning of the film. Supposedly then-wife Nicole Kidman was livid when she found out that that was *him* and that it was filmed without safety lines or anything…he really was hanging off of that rock by one hand.
The guy’s a little wacked in the first place. Remember him “jumping the couch” on Oprah? Stunts like this shouldn’t surprise anyone…and as for the crazy intensity, one of the best villains I’ve seen in a movie recently was him playing a hit man in that movie where Jamie Fox was the cab driver….can’t remember the name of it.
Collateral was the movie with Tom Cruise and Jamie Foxx.