It was my understanding when I agreed to do a blog that all the commenters would agree with me and all the female commenters would be beautiful. Sadly, only the second of these has turned out to be the case. When, a day or so ago, I put up a post explaining that Mad Max: Fury Road was a not-very-good movie and had been greeted with ecstasy by critics because of its feminist bent, several benighted and also misguided souls took it upon themselves to contradict me. I know, right? Crazy! But there it is. So with the kindly thought that it might be instructive and improving to these lost lambs to learn how they are mistaken, I offer a few responses.
First, to those who made comments to the effect that I was “thinking too much” and “politicizing everything,” let me assure you that I was thinking only exactly as much as necessary and, in fact, politicizing nothing at all. My point was not that Mad Max was not very good because it was feminist. I enjoy fantasy pictures! My point was that the story was poorly constructed, the central character ill-drawn, the action repetitive and the resolution absurd — and that the critics have overlooked this for political reasons. It was they who were being political, not I.
Second, several commenters rejected my idea that outlooks that are dishonest in general may produce honest stories because stories are individual and specific. My point was that while it’s absurd to say, for instance, “American women are oppressed,” a specific American woman may well be oppressed (just ask my wife!), and if you told a good story about her your stupid feminist philosophy might produce something worthwhile in spite of itself. Socialism is despicable nonsense but Germinal is a great novel — and indeed, its searing honesty ends by exposing the horror of its socialist philosophy, for which Zola was roundly criticized by the left despite his socialist credentials.