PAULA FROELICH: Harvey got exposed because he’s not profitable anymore.
To answer these questions, let’s look beyond the Harvey-shaped elephant in the room. Behind the touted veneer of creative genius and imagination, the Hollywood studio system (an umbrella term that now encompasses movie studios, television networks, news organizations, tech companies and new media) was built on top of the cushions of the casting couch. And, as we’ve seen several times this year, that couch was never retired.
I witnessed a lot at Page Six — only a fraction of which ever hit the paper (for a multitude of reasons). But I will share one incident in May 2004 that has always summed up for me how this industry really feels about women.
I had gone to dinner with a friend who was in town for the upfronts (the big annual congregation where television network executives fly in from Los Angeles and present their upcoming slates of new shows). He worked at United Talent Agency and was psyched when I scored us an 8 p.m. reservation at the hottest place in town, Jean-Georges Vongerichten’s Spice Market, unfortunately, next to a table of three drunk and loud television executives, one of whom I knew headed up a cable network.
“I need a hooker while I’m in town,” one man quasi-yelled.
“Dude — the top-shelf whores go for $1,000 an hour, $5,000 a night,” the cable exec bragged to his friends.
“That’s all? All night?”
“All night — whatever you want — and these are working actresses.”
“No way — who are we talking about?”
The executive, in between ordering more bottles of Patron silver, proceeded to bray out the names of women who were indeed working actresses as well as models — including one woman who was cast in a show on his network. He was her boss.
“How do you think she got the job?” the executive joked, as the others high-fived him.
To be fair, this isn’t sexual abuse, it’s prostitution.
