HOLLYWOOD’S TRANSRACE HYPOCRISY: The Academy Awards are making America look stupid in front of the entire world.

So, Hollywood is lecturing its domestic audience about the positive racial symbolism of POC, but manufacturing negative racial symbolism for its biggest export market, the CCP. Before we dismiss this as the worse kind of hypocrisy, consider its beneficial, albeit unintended side-effects.

Hollywood has created a powerful incentive for non-white actors to become ‘white’ for the foreign market, and another powerful incentive for white actors to ‘present’ themselves as POC for the domestic market. We know from the carnival of affirmative action what will happen next: a wave of transracial transgression.

Hollywood will make it acceptable to be transrace, because there is money in it. At the same time, certain kinds of race-switching will be unacceptable, because there is money in it. That’s showbiz, but what we call fiction in the movies is a lie in reality.

More here: Oscars’ woke quota will backfire on Hollywood spectacularly:

The easiest criterion to meet is apprenticeships for members of underrepresented groups, meaning anyone but straight white non-handicapped males. Welcome to low-paid internships, people of color! I’m sure Hollywood race relations will feel totally chill five years from now, when every java boy and latte girl serving America’s showbiz aristocracy is black. Soon the last surviving copy of “Gone with the Wind” will be locked in a vault accessible only to scholars of racism, but you’ll be able to see Tara re-enacted in Burbank and Culver City.

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Yet since we know that the real controversy revolves around black representation, what the Academy announced this week isn’t going to mollify its critics for long. People who fancy themselves America’s most daring creative leaders will soon be cringing at another hashtag, conceding sin and publicly flogging themselves in the course of announcing yet another round of woke reforms.

That’s a given, as illustrated by the latest 21st century Maoist struggle session involving — checks notes — She-Ra And The Princesses Of Power showrunner Noelle Stevenson:

[T]he person was discussing characters in a cartoon. They were brothers. They had rhyming names that related specifically to their occupation or characteristic. Oboe played a woodwind instrument. Whoa was a stoner dude. Bow was an archer. Sow was a farmer.

Are you okay? Just checking in, because I know some of you might be reeling back right now because that was not okay.

Sow? Was a farmer?

How could she not know?

How steeped in supremacy could she be to call a character “Sow,” without realizing how people would see this as a reference to slaves, who sowed the fields?

Can you even? Are you literally?

Here’s how the guilty party responded.

Click over for the river of tweets, which look like a textual version of this:

The Red Guard parades an official through a Peking street and force him to wear a dunce cap as a mark of public shame. He is the member of an anti-revolutionary group and, according to the writing on the cap, he has been accused of being a political pickpocket. This picture was made in the Peking on Jan. 25, 1967 and was obtained from Japanese sources in Tokyo. (AP caption.)