LOUIS CK’S POLITICALLY INCORRECT COMEDY DIDN’T CHANGE. YOU DID:

You might not think this kind of humor is funny, and that’s fine. Moreover, you might think Louis C.K., who initiated sexual situations with unwilling women, is a creepy person who has lost the right to joke about uncomfortable subjects. That’s also fine. But it would be silly to pretend that Louis C.K. has undergone some sort of change or deliberate pivot. He’s just doing his same old shtick.

But many in the media have seized upon the idea that Louis C.K. has suddenly became a right-winger—that his new material is some dramatic departure from his pre-scandal days as a woke comedy icon. “Audio of a New Louis C.K. Set Has Leaked, and It’s Sickening,” warns Slate, striking the tone of a nun listening to Eminem for the first time. The Daily Beast accuses Louis C.K. of “pandering to the alt-right,” which is quite the broad categorization; the tons of people—New Yorkers, presumably—who can be heard laughing in the background of the leaked footage would probably be surprised to learn that they take their cues from Richard Spencer.

I can’t recall very many people on the left complaining that Louis C.K. was pandering to pedophiles when he joked about normalizing child rape so that rapists would be more likely to let their child victims live. On the contrary, GQ placed that joke on its list of the 10 best Louis C.K. skits, hailing him as the most transgressive and celebrated comedian “of his generation.”

Those who suddenly find themselves balking at Louis C.K.’s edgy material should admit that the comedian didn’t really change. They did.

As Richard Fernandez has said, the torpedoes the left fired into the water to get Trump keep circling back on them. To the point where the left have become the far right Moral Majority of the late 1970s. Or as Michael Brendan Dougherty wrote in a piece titled “Hugh Hefner, Gangsta Rap & The Emerging Moral Majority,” after Hef entered his “After Dark” mode permanently in September of 2017, on the eve of Harvey Weinstein and Louis C.K.’s fall from grace, and the concurrent dawn of the #MeToo era, “Moral concerns pop up one decade in right-wing clothes, and, in the next, change into another outfit.”