March 27, 2015

WENDY MCELROY: ‘The Hunting Ground’: Reaping Profit from Rape Hysteria.

When the ‘documentary’ “The Hunting Ground” premiered at the 2015 Sundance Film Festival, it was advertised as a “piercing, monumental exposé of rape culture on campuses.” In fact, its objectivity and perspective have been systematically dismantled since then. The film is best understood as a volley in the campus consent wars now raging across North America. It is part of a manufactured and coordinated hysteria about campus rape that imposes a politically-correct agenda and strips accused male students of due process rights.

Peel back the panic and you will often find profit. Some PC advocates profit from the power and prestige that being a savior can bring. The New York Times article “An Unblinking Look at Sexual Assaults on Campus: ‘The Hunting Ground,’ a Film About Rape Culture at Colleges” (Jan. 25, 2015) quoted the Democrat Senator from California, Barbara Boxer, as declaring “[Y]ou’re going to see it in response to this film. Believe me, there will be fallout.” The article indicated that Boxer and Senator Kirsten Gillibrand (D-NY) are pushing legislation that could ride into law on a wave of emotion created by “The Hunting Ground.”

Political careers, administrative jobs, government grants, book and lecture contracts are just some of vast financial benefits that rest upon continuing the “rape culture” crusade on campus.

Yep. “Rape culture” may be a myth, but the rape hysteria industry is very real. Plus:

The most remarkable aspect of the recipient list, however, is the apparent lack of any grants to groups that focus on preventing rape or sexual assault. The names of recipient organizations drive this conclusion. A single grant to Planned Parenthood is as close as NEO seems to come to funding sexual health or safety. And, yet, the “Take Action!” cry from “The Hunting Ground” states that NEO ensures “that your tax-deductible donation supports student-led campaigns, public education, policy reform, and prevention approaches.” Wouldn’t that goal best be ensured by an organization with an established track record on sexual assault? There are many of them out there.

The 2013 form is similar in its disclosed disbursements; no apparent grants go to organizations that address rape and sexual violence, let alone rape on campus. The vast majority of recipients reveal that NEO has an entirely different focus. Only a few recipients have sufficiently ambiguous names to allow the possibility that they deal with rape in some manner.

No wonder the iconoclastic website SAVE (Stop Abusive and Violent Environments) inquired after “the propriety” of “The Hunting Ground” being used to fund raise for NEO. SAVE asks, “exactly how much of movie-viewers’ donations will be used to underwrite Michele Lord’s excessive salary?” Or used by NEO to pursue partisan issues like immigrant rights? Or used by NEO to encourage people to vote Democrat?

Another question needs to be answered. If, in fact, NEO is using “The Hunting Ground” as a fund raiser, did NEO finance its development in any manner? Is there a connection between director Kirby Dick and NEO? The source of funding is difficult to uncover. Indeed, even how much the ‘documentary’ cost to make is something of a mystery. Mojo lists the budget for “The Hunting Ground” as “N/A.” Other sources claim it was $1.8 million.

The possibility of “The Hunting Ground” being a fund-raiser for social justice causes unrelated to rape is disturbing.

It’s Potemkin villages all the way down with these people.

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