Why The Fantastic Four Casting Annoys This Black Man
You want a diverse cast? Fine. But it should make sense.
February 21, 2014 - 7:36 am
The Fantastic Four returns to theaters in 2015 with a new and controversial cast. The New York Daily News reports:
Within minutes of the bombshell reports that Fox has found its titular superheroes in the Fantastic Four reboot, naysayers flamed on social media to pick apart the reported selections of actors Miles Teller (Mr. Fantastic), Kate Mara (Invisible Woman), Michael B. Jordan (Human Torch) and Jamie Bell (The Thing) .
Complaints ranged from the good points (Teller’s track record of one-liner spewing parts is a poor fit for the super-serious Reed Richards) to the bad (Mara isn’t blonde) to the ugly (Jordan is not Caucasian like the character in the comics).
The author leaves unclear what makes that last compliant “ugly.”
Changing the racial identity of an established character in order to cast the best actor for the job works in many situations. The Avengers‘ Nick Fury was Irish in the comics long before Samuel L. Jackson portrayed him onscreen.
The offbeat casting choices in Zack Synder’s Man of Steel worked despite diverging wildly from past iterations. Laurence Fishburne starred as Perry White. Photographer Jimmy Olsen became a Latina intern named Jenny. And red-head Amy Adams portrayed the traditionally brunette Lois Lane.
However, there are times when a character’s physical characteristics or racial identity serve a narrative purpose. When Idris Elba, a black actor, was cast as the Norse god Heimdall in Marvel Studios’ Thor, it seemed like a gratuitous bit of multiculturalism. Then again, the Marvel version of Asgardians prove more alien than divine, so perhaps racial diversity makes sense in that context.
But casting a black man to play Human Torch makes no sense whatsoever. The character’s given name is Johnny Storm, biological full-brother to sister Sue, the Invisible Woman played by the decisively Caucasian Kate Mara. Unless this turns out to be some kind of artsy color-blind thing like you might see in a stage play, the relationship between these characters which has been integral to past narratives will have to be changed.
Will one of them be adopted? Will they be related at all? I suppose it could be handled in any number of ways which would not necessarily throw off the story, but for what purpose? Why do this? The only answer I can come up with is gratuitous multiculturalism, which this black author regards as an insulting bit of pandering.