No, this is not actually the last posting, since I still owe you a post on covers and a – long delayed – post on proposals (to traditional publishing houses.)
I do apologize for the delays on those, but I was doing my very best not to die through what might have been the worst health-season I’ve had in a long time.
But, for now, this is my post trying to bring together everything I tried to cover on selling your book in thirteen weeks. Sort of a summarized version of the entire thing with easy bullet points. A “selling your writing in thirteen weeks for people who only discovered the series halfway through and are having trouble finding the previous posts (as I did when I tried to direct someone to them.)
So, as briefly as I can make it, here is your “lessons learned” recap. Get our your number two pencil and a notebook. There will be a test. (Actually there will, but not administered by me, but by the world/publishing. Though my way isn’t the only way and though things change constantly, this will get you some ways towards actually successfully publishing, in whichever mode you choose.)
First – Traditional or Indie? How should you publish? (For the purpose of this article, indie refers to self publishing or publishing through a micro company in which you have a controlling interest.)
I know the decision I made for me, but I can’t make it for you. Depending on the field you’re working in, the book you’re working on, and your own personal preference, the answer could vary.
If you are writing the sort of book that will need a big-publisher sendoff to do well, and you’re fairly sure that you can get it, then by all means go with a traditional publisher.
If on the other hand you are writing what the publishers would consider a midlist book – your typical genre book: a romance in the style of those already out, or a cozy mystery, a quest fantasy, or a space opera – and you have the resources to self-promote, and you know or can learn your way around a cover you’re probably better off self-publishing/indie publishing.
The truth is that the traditional publishers have been taking resources away from the midlist for some years now, and now are less inclined than ever to spend promotion dollars on “this is also an enjoyable book.” Also, some of the contracts being written don’t “guarantee” paper publication.