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Sarah Hoyt

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September 7, 2013 - 11:00 am
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It makes for a very exciting way to start a book, but I could use a little less excitement in real life.

It makes for a very exciting way to start a book, but I could use a little less excitement in real life.

Organizing your Creative Life in Thirteen Weeks, Week 10

Prolific science fiction novelist Sarah Hoyt follows up her “Your Novel in 13 Weeks” PJ Lifestyle series with a new weekly experiment each Saturday to figure out the best way for all creative types working from home to better organize their efforts.

Week Zero, Introduction: Organizing Your Creative Life In 13 Weeks

Week 1/2, Preparation: The Case For Making Lots of Lists

Week One: How to Make Your Mind Like Water

Week Two: What Are the Best Apps For Artists and Writers Desperate To Get Work Done? 

Week Three: The Lone Writer Against The Time Masters

Week Four: How to Tame Your Subconscious

Week Five: How Separating When and Where You Do Tasks Improves Both Productivity and Quality of Work!

Week Six: Organizing your Life is Like Learning to Juggle Eggs and Chainsaws

Week Seven: 4 Tips So You Don’t Organize Yourself to Death

Week Eight: Organizing your Writing Life When Words Fail You

Week Nine: After an Upset in Your Routine Catching Up Is Hard to Do 

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Run!

Patricia Wentworth has a novel by that title.  Exclamation mark and all.  I don’t remember if this was her first book that I bought – I do remember that that book grabbed me right from the title, and since that was also the very first word on the book, it caught me and made me read it right to the end.

Putting your character in a situation where they must do or die right off the bat will grab the reader and not let go.  At least if you have the ability to keep the pace going the rest of the book.  (Okay, Wentworth slacks off a little.  She’s more romantic suspense than suspense.)

So, does this mean that I’ve given up on organizing my creative life and taken to dispensing writing advice again?

Not exactly.  I’m here to tell you that finding myself in the position of that character in that book is a lot less fun than it is reading about it.

No, I wasn’t lost in fog outside a creepy old house.  I didn’t hear steps behind me, and someone didn’t pass me, running, while yelling “run.”  Well, not literally.  In a metaphorical sense, it came pretty close.

The good news is that I’ve finally finished revising Witchfinder and sending it off to editors, including the real one (though it will come out from a small indie press, Goldport – mostly because even though I love Baen books, I want to keep a foot on the indie thing.  It’s a new avenue, and I like exploring.)

The bad news is that I’ve still not finished Through Fire, mostly through having tried to back up and do it from a different perspective.  Don’t go there.  Just don’t.

Part of the issue with the two books was something that I’ve heard of other writers running into: you’re working on a piece, which blocks the other piece you’d like to work on.  This happens.

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