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Moonrise Kingdom: Summer Camp, Wes Anderson-Style

The director of The Royal Tenenbaums blends genres with his newest comedy.

by
Chris Yogerst

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June 15, 2012 - 1:30 pm
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Every Wes Anderson film creates a world of its own. Movies like Rushmore and The Darjeeling Limited take familiar people and situations and drop them into the unknown. This is Anderson’s genius; he transforms familiarity into hyperreality (or unreality in some cases). Arguably, the best genre filmmakers are able to build unpredictability out of familiarity. Anderson’s latest, Moonrise Kingdom, draws from numerous genres such as the summer camp comedy, family melodrama, and the adventure film in order to create a unique experience.

The film takes place in 1965 on a New England island called Black Beacon Sound. This narrow, 16-mile-long strip has some general residents as well as Camp Ivanhoe — home to the Khaki Scouts led by Scout Master Ward (Edward Norton). One of the scouts, Sam (Jared Gilman), takes it upon himself to sneak away during the night. Another young islander, Suzy (Kara Hayward), also ran away from her parent’s home around the same time. The island police (Bruce Willis as Captain Sharp), whose headquarters is a small shack at the end of a dock on the ocean, are promptly alerted and a search begins.

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