Is Tom Hanks Unhinged?
We should also point out that for many Americans, initially in 1941-2, the real war was with the Japanese, not the Germans (despite an official policy of privileging the European theater in terms of supply and manpower), but not because of race hatred, but due to the surprise attack on Pearl Harbor.
Until then (Hitler would in reaction unwisely declare war on the U.S. on December 11, 1941) Germany had been careful to maintain the pretense of non-belligerency, while Japan chose to start a war through a rather treacherous surprise assault at a time of nominal peace — thus inciting furor among the American public.
Despite Hanks' efforts at moral equivalence in making the U.S. and Japan kindred in their hatreds, America was attacked first, and its democratic system was both antithetical to the Japan of 1941, and capable of continual moral evolution in a way impossible under Gen. Tojo and his cadre. It is quite shameful to reduce that fundamental difference into a "they...us" 50/50 polarity. Indeed, the most disturbing phrase of all was Hanks' suggestion that the Japanese wished to "kill" us, while we in turn wanted to "annihilate" them. Had they developed the bomb or other such weapons of mass destruction (and they had all sorts of plans of creating WMDs), and won the war, I can guarantee Hanks that he would probably not be here today, and that his Los Angeles would look nothing like a prosperous and modern Tokyo.
4) What is remarkable about the aftermath of WWII is the almost sudden postwar alliance between Japan and the U.S., primarily aimed at stopping the Soviets, and then later the communist Chinese. In other words, the United States, despite horrific battles in places like Iwo Jima and Okinawa, harbored little official postwar racial animosity in its foreign policy, helped to foster Japanese democracy, provided aid, and predicated its postwar alliances -- in the manner of its prewar alliances — on the basis of ideology, not race. Hanks apparently has confused the furor of combat — in which racial hatred often becomes a multiplier of emotion for the soldier in extremis — with some sort of grand collective national racial policy that led to and guided our conduct.
An innately racist society could not have gone through the nightmare of Okinawa (nearly 50,000 Americans killed, wounded, or missing), and yet a mere few months later have in Tokyo, capital of the vanquished, a rather enlightened proconsul MacArthur, whose deference to Japanese religion, sensibilities, and tradition ensured a peaceful transition to a rather radical new independent and autonomous democratic culture.
5) Hanks quips, “Does that sound familiar, by any chance, to what’s going on today?” That is another unnecessary if asinine statement — if it refers to our struggle against radical Islam in the post 9/11 world. The U.S. has risked much to help Muslims in the Balkans and Somalia, freed Kuwait and Iraq in two wars against Saddam Hussein, liberated or helped to liberate Afghanistan both from the Russians and the Taliban, and has the most generous immigration policy toward Muslims of any country in the world, ensuring a degree of tolerance unimaginable to Muslims in, say, China or Russia. Hanks should compare the U.S. effort to foster democracy in Iraq with the Russian conduct in Chechnya to understand "what's going on today."
In short Hanks’s comments are as ahistorical as they are unhinged. One wonders — were they supposed to entice us into watching the upcoming HBO series on the Pacific theater? But if anyone is interested in the role of race on the battlefield, one could probably do far better in skipping Hanks, and reading instead E.B. Sledge’s brilliant memoir, With the Old Breed, which has a far more sophisticated analysis of race and combat on Peleliu and Okinawa, and was apparently (and I hope fairly ) drawn upon in the HBO series. (Sledge speaks of atrocities on both sides in the horrific close-quarter fighting on the islands, but he makes critical distinctions about accepted and non-accepted behaviors, the differences between Japanese and American attitudes, and in brilliant fashion appreciates the role of these campaigns in the larger war. One should memorize the last lines of his book.)
It would be easy to say that Hanks knows about as much about history as historians do about acting, but that would be too charitable. Anyone with a high school education, or an innate curiosity to read (and Hanks in the interview references works on the Pacific theater), can easily learn the truth on these broad subjects. In Hanks' case, he is either ignorant and has done little real research, or in politically-correct fashion has taken a truth about combat in the Pacific (perceptions of cultural and racial difference often did intensify the savagery of combat) and turned it into The Truth about the origins and conduct of an entire war — apparently in smug expectation that such doctrinaire revisionism wins applause these days in the right places (though I doubt among the general public that he expects to watch the series.)
All in all, such moral equivalence (the Japanese and the U.S. were supposedly about the same in their hatreds) is quite sad, and yet another commentary on our postmodern society that is as ignorant about its own past as it is confused in its troubled present.