New Essay at Claremont Review of Books: 'Time Out of Joint'

Historical American flags in Washington: the Betsy Ross flag hangs on both ends and the classic Old Glory is to each side of the current 50-state version. (Photo from the U.S. Department of Homeland Security)

What makes America different from the Old World? It’s easy to draw up a list of doctrinal differences, but not so easy to pin down a uniquely American way of understanding ourselves and the world. We really are different, I argue, in a new review-essay at Claremont Review of Books. I take to task the great historian of the First World War, Christopher Clark, for attempting to identify Donald Trump with wicked reactionary movements of Europe’s past. To refute Clark’s smear, I delve deeply into American identity.

Claremont (usually behind a paywall) generously has made my essay available here:


It’s a privilege to write for Claremont Review of Books, the premier intellectual journal of the American Right. If you don’t subscribe, please consider doing so. Leading conservative voices such as my friends and Michael Anton appear regularly, along with a stellar array of commentators and scholars. It’s the only conservative publication I read every issue from front to back, and learn a great deal every time.

Here’s an excerpt from my new essay:

[European Romantics thought that] the mythical Christian past would ennoble the legends of the profound past, and the disenchanted world of the Enlightened would be re-enchanted (Wiederverzau[bert) in the legend-laced world of the Christian Middle Ages. Novalis’s program remained hugely influential for a century; one encounters it virtually unaltered more than a century later in T.S. Eliot’s careful references to James George Frazer’s The Golden Bough. J.R.R. Tolkien, who considered the English inheritance of Anglo-Saxon myth inadequate to provide a foundation for British culture, undertook to create his own array of pagan myths as a more congenial precursor to Christianity.

It is instructive to compare Novalis’s hope for the re-enchantment of Europe to America’s attitude toward its past. The unchanging past of European old-world society does not know time, but only “once upon a time.” Generations come and go, but life remains the same, and the past is identical to the future, blending into a perpetual present. But American time-consciousness leaves this old-world mentality behind and looks forward. This is neatly captured in one of our foundational stories, Washington Irving’s “Rip van Winkle.” Rip goes to sleep in the temporality of “once upon a time”—in Novalis’s enchanted world. He awakes after the American Revolution in a new temporality, in the clear light of the modern world.

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But this American forward motion is not the utopian progressivism that Clark wants to identify with liberalism. Clark’s simple juxtaposition of progressive linear time and the changeless present of traditional society utterly fails to understand American temporality. America does not march toward the end of history, because its founders felt keenly Saint Augustine’s distinction between the heavenly city and the earthly city. The American journey does not proceed toward the earthly paradise of the progressives, but to a vanishing-point on the horizon. That is why the most impassioned religion can cohabit here with the rule of reason. The American eschaton is not immanent, but beyond the horizon. The American avatar of John Bunyan’s Pilgrim is Huckleberry Finn, who, in true American fashion, concludes his journey by starting a new one, lighting out to the new territory ahead of the others.

Sadly, Clark’s application of the Continental philosophy of time is reductionist and impoverished. That is his fault rather than that of the philosophers. Heidegger’s older contemporary, the great Jewish theologian Franz Rosenzweig, asserted in 1921 that the Biblical concept of time was the normative case. “Revelation is the first thing to set its mark firmly into the middle of time; only after Revelation do we have an immovable Before and Afterward,” he wrote in The Star of Redemption (1921). “Then there is a reckoning of time independent of the reckoner and the place of reckoning, valid for all the places of the world.” Rosenzweig never visited the United States or commented on its national character, but his intuition that the Biblical reckoning of time is “valid for all the places of the world” rings true by reference to America in one way and the United Kingdom in another. Biblical time is metaphysically different from the eternal present of primitive society: it begins with the irruption of the one Creator God into history, which sets a marker for past and future, as Rosenzweig observed.

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In Heidegger’s construct, we absorb by mere repetition the heritage that fate has apportioned us. To be entschlossen, or decisive, means to Heidegger submitting ourselves to this fate. America by contrast adopted the heritage of Israel in an act of religious imagination. The Puritan “errand in the wilderness” with its vision of a new “city upon a hill” adopts the history of Israel as America’s spiritual history, the foundation for a new covenant. That is why America’s remembrance transcends the mere repetition of accumulated habits and experience and becomes instead what Lincoln called “[t]he mystic chords of memory, stretching from every battle-field, and patriot grave, to every living heart and hearthstone.” America looks back, not to a distant past of pagan legends, but to a Biblical history which it has chosen for the backdrop of its journey into a bright and glorious future.

In Germany, by contrast, the reconstruction of the past took a tragic direction that Novalis and the Christian Romantics failed to anticipate. Neo-pagans like Richard Wagner succeeded in mining the legendary past for a German identity founded upon race. This became the “national nervous fever” that Friedrich Nietzsche denounced in 1886 in Beyond Good and Evil: “the anti-French folly, the anti-Semitic folly, the anti-Polish folly, the Christian-romantic folly, the Wagnerian folly, the Teutonic folly, the Prussian folly…and whatever else these little obscurations of the German spirit and conscience may be called.”

The crux of Clark’s argument appears in his chapter on Hitler, which “builds a case for the distinctiveness of National Socialist temporality.” Hitler sought “to establish an ever more perfect identity with the remote past, out of whose still uncontaminated timbers the house of the future would have to be built. In the ‘longing for a common [German] fatherland,’ Hitler wrote, there lies ‘a well that never dries.’” Clark indulges in a lengthy peroration on the Nazis’ fascination with what he calls “the remote past,” including archeological investigation of Teutonic prehistory, cataloguing of folk customs, and other efforts to promote a culture of German racial identity. The reader well may ask whether the Nazis’ amateurish evocation of the mythic German past had anything like the impact of Wagner’s operas, especially the “Ring” tetralogy derived from 13th-century epic sagas in the Nibelungenlied and the Scandinavian Eddas. Not only did Wagner turn the remote German past into a dramatic parable for the present. He did so in a musical framework that subverted the forward-looking structure of musical time, which had prevailed from the composers of Renaissance counterpoint to the classical composers a generation before him. In 1852 Wagner wrote to the violinist Theodor Uhlig: “Time is absolute Nothing. Only that which makes time forgotten, that destroys it, is Something.”

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In Clark’s carnival-mirror comparison, Trump’s campaign rhetoric about restoring American greatness and reclaiming American manufacturing jobs evokes the same regression to a mythical past that beguiled the Nazis—as if the American steel industry, which in 1948 employed ten times more workers than it does today, were the equivalent of Nibelheim or Valhalla. That is a feverish instance of what Leo Strauss mocked as “reductio ad Hitlerum.”

To say that Trump has rough edges is an understatement, but it is nonsensical to identify “Make America Great Again” with the Nazi revival of the pagan past. America has no pagan past to revive. It was founded as a Christian nation with a Biblical culture, albeit low-church Protestant and antinomian. Trump was the overwhelming choice of evangelical Protestants in the primaries and won the highest proportion of the evangelical vote on record. Evangelicals supported Trump rather than one of their own, Texas Senator Ted Cruz, because they sought not a national pastor but the sort of rough man who would lead them in battle against the Philistines—a Jephthah or Saul rather than an Elijah. In a country whose founders held to the Calvinist doctrine of total depravity, rallying behind a sinner is not the least bit incongruous or un-Christian, much less Hitlerian.