The 50 Greatest Counter-Culture Films of All Time, Part II
Click here to start reading Part I of this list-letter to the CEO of Liberty Island with ideas for his team of creative counter-culture writers drawn from my years practicing "pop culture polytheism," the worship of the images in mass media today.
Dear Adam Bellow,
As this series of films continues I'll expand the opening index to include links to each of the films that have come before it. Here are links to the first titles I discussed, establishing the paradigm of celebrating both mainstream, big budget films and also more obscure titles that more traditionally conjure up the idea of counter-culture:
48. Yellow Submarine
47. Dark City
45. Dog Star Man
41. The Two Towers
38. The Avengers
I was nervous when publishing the first installment of this series, knowing that I was leaping off into the unknown again and certainly not going as detailed as I'll need to when explaining these ideas in my book someday. A few commenters pushed back, with criticisms I anticipated -- too long, all over the place, titles insufficiently "counter-culture" -- and that are partially justified:
How do I defend such a broad understanding of "counter-culture" that the term can include both experimental shorts with moth wings taped to the film and hundred-million-dollar blockbusters? The fourth title from my list of "23 Books for Counter-Culture Conservatives, Tea Party Occultists, and Capitalist Wizards" remains my favorite definition and general history:
4. Counterculture Through the Ages: From Abraham to Acid House by Ken Goffman and Dan Joy
Publication Date: September 13, 2005
Official Description:As long as there has been culture, there has been counterculture. At times it moves deep below the surface of things, a stealth mode of being all but invisible to the dominant paradigm; at other times it’s in plain sight, challenging the status quo; and at still other times it erupts in a fiery burst of creative–or destructive–energy to change the world forever.
But until now the countercultural phenomenon has been one of history’s great blind spots. Individual countercultures have been explored, but never before has a book set out to demonstrate the recurring nature of counterculturalism across all times and societies, and to illustrate its dynamic role in the continuous evolution of human values and cultures.
Countercultural pundit and cyberguru R. U. Sirius brilliantly sets the record straight in this colorful, anecdotal, and wide-ranging study based on ideas developed by the late Timothy Leary with Dan Joy. With a distinctive mix of scholarly erudition and gonzo passion, Sirius and Joy identify the distinguishing characteristics of countercultures, delving into history and myth to establish beyond doubt that, for all their surface differences, countercultures share important underlying principles: individualism, anti-authoritarianism, and a belief in the possibility of personal and social transformation.
Ranging from the Socratic counterculture of ancient Athens and the outsider movements of Judaism, which left indelible marks on Western culture, to the Taoist, Sufi, and Zen Buddhist countercultures, which were equally influential in the East, to the famous countercultural moments of the last century–Paris in the twenties, Haight-Ashbury in the sixties, Tropicalismo, women’s liberation, punk rock–to the cutting-edge countercultures of the twenty-first century, which combine science, art, music, technology, politics, and religion in astonishing (and sometimes disturbing) new ways, Counterculture Through the Ages is an indispensable guidebook to where we’ve been . . . and where we’re going.
Why Counterculture Conservatives Should Read It:
The key insight in reconciling counterculture and conservatism comes when we define the term historically, beyond just the caricature of the 60s hippie counterculture.
A counterculture is just any group of people who choose to reject some aspect of a dominant culture and then live peacefully in opposition to it. The Jews were a counterculture. So were Socrates, Plato, and Aristotle. So were the Christians in ancient Rome. So were the Pilgrims. And the Transcendentalists. And the Mormons.
Counterculture Through the Ages presents an alternative way of understanding the West: what if “Western Civilization” was actually just the compilation of all the best countercultural ideas that worked? What if Western Civilization wasn’t really about places or people or things but about a process to understand ourselves, one another, and our purpose in the world? And how do we figure out what that purpose is?
So yes, I admit it -- my list was a mess, and so it shall be going forward. (I can only un-messify Aleister Crowley and Robert Anton Wilson and their basis in Kabbalah and Tarot so much! Learning how to jump from mess to mess is kind of the point. God hides in the spaces between the letters and in the connections between the cards, in the invisible gap between my mind and yours.) Counter-culture is messy -- it's a big muck mixing and gurgling together. But that's no excuse. I'll employ the new media tool highlighted in the last segment in an effort to cut down on the word count in this and future installments. Here's a basic start, as I've progressed through writing the list I've begun exploring new ways to utilize Instagram, Hyperlapse and other tools:
(I will try to improve the handwriting in future hyperlapses. Over the course of this list I experiment with a number of different configurations improving on that early one. I think for the next round I'll pick up a white board and dry erase markers...)
In trying to define Western Civilization in broad we have to confront that WE are a mess. Americanism, the idea of the West -- we are a mess of conflicting ethnic, religious, and philosophical traditions all crammed together.
But we must overcome our primitive tribal nature. Unfortunately some of film's most glorified filmmakers rose to prominence through glamorizing and glorifying their tribal identity, building whole careers on mythologizing their tribe, obscuring the ugly truth of their primitive ideologies. The next three titles on the list are by filmmakers I once idolized, though now look at with skepticism. However, each still has a film in their canon that runs counter to their usual output and offer useful lessons for counter-culture crusaders.